“You may keep him out till dinner-time,” she continued. “I’m shopping this morning, and in the afternoon I shall motor to have tea in the Boy with the Senator and Mr. Nevil Vane-Basingwell.”
Presently, then, my charge and I set out for what I hoped was to be a peaceful and instructive day among objects of art, though first I was obliged to escort him to a hatter’s and glover’s to remedy some minor discrepancies in his attire. He was very pleased when I permitted him to select his own hat. I was safe in this, as the shop was really artists in gentlemen’s headwear, and carried only shapes, I observed, that were confined to exclusive firms so as to insure their being worn by the right set. As to gloves and a stick, he was again rather pettish and had to be set right with some firmness. He declared he had lost his stick and gloves of the previous day. I discovered later that he had presented them to the lift attendant. But I soon convinced him that he would not be let to appear without these adjuncts to a gentleman’s toilet.
Then, having once more stood by at the barber’s while he was shaved and his moustaches firmly waxed anew, I saw that he was fit at last for his art studies. The barber this day suggested curling the moustaches with a heated iron, but at this my charge fell into so unseemly a rage that I deemed it wise not to insist. He, indeed, bluntly threatened a nameless violence to the barber if he were so much as touched with the iron, and revealed an altogether shocking gift for profanity, saying loudly: “I’ll be—dashed—if you will!” I mean to say, I have written “dashed” for what he actually said. But at length I had him once more quieted.
“Now, sir,” I said, when I had got him from the barber’s shop, to the barber’s manifest relief: “I fancy we’ve time to do a few objects of art before luncheon. I’ve the book here for your comments,” I added.
“Quite so,” he replied, and led me at a rapid pace along the street in what I presumed was the direction of the art museum. At the end of a few blocks he paused at one of those open-air public houses that disgracefully line the streets of the French capital. I mean to say that chairs and tables are set out upon the pavement in the most brazen manner and occupied by the populace, who there drink their silly beverages and idle away their time. After scanning the score or so of persons present, even at so early an hour as ten of the morning, he fell into one of the iron chairs at one of the iron tables and motioned me to another at his side.
When I had seated myself he said “Beer” to the waiter who appeared, and held up two fingers.
“Now, look at here,” he resumed to me, “this is a good place to do about four pages of art, and then we can go out and have some recreation somewhere.” Seeing that I was puzzled, he added: “This way—you take that notebook and write in it out of this here other book till I think you’ve done enough, then I’ll tell you to stop.” And while I was still bewildered, he drew from an inner pocket a small, well-thumbed volume which I took from him and saw to be entitled “One Hundred Masterpieces of the Louvre.”
“Open her about the middle,” he directed, “and pick out something that begins good, like ‘Here the true art-lover will stand entranced——’ You got to write it, because I guess you can write faster than what I can. I’ll tell her I dictated to you. Get a hustle on now, so’s we can get through. Write down about four pages of that stuff.”
Stunned I was for a moment at his audacity. Too plainly I saw through his deception. Each day, doubtless, he had come to a low place of this sort and copied into the notebook from the printed volume.
“But, sir,” I protested, “why not at least go to the gallery where these art objects are stored? Copy the notes there if that must be done.”