Ruggles of Red Gap

by Harry Leon Wilson

I thought this most remarkable, that his constituency should resent his having proper house service. American politics were, then, more debased than even we of England had dreamed.

“Good work!” he said again. “And say, take out your papers—become one of us. Be a citizen. Nothing better than an American citizen on God’s green earth. Read the Declaration of Independence. Here——” From a bookcase at his hand he reached me a volume. “Read and reflect, my man! Become a citizen of a country where true worth has always its chance and one may hope to climb to any heights whatsoever.” Quite like an advertisement he talked, but I read their so-called Declaration, finding it snarky in the extreme and with no end of silly rot about equality. In no way at all did it solve the problems by which I had been so suddenly confronted.

Social lines in the town seemed to have been drawn by no rule whatever. There were actually tradesmen who seemed to matter enormously; on the other hand, there were those of undoubted qualifications, like Mrs. Pettengill, for example, and Cousin Egbert, who deliberately chose not to matter, and mingled as freely with the Bohemian set as they did with the county families. Thus one could never be quite certain whom one was meeting. There was the Tuttle person. I had learned from Mrs. Effie in Paris that he was an Indian (accounting for much that was startling in his behaviour there) yet despite his being an aborigine I now learned that his was one of the county families and he and his white American wife were guests at that first dinner. Throughout the meal both Cousin Egbert and he winked atrociously at me whenever they could catch my eye.

There was, again, an English person calling himself Hobbs, a baker, to whom Cousin Egbert presented me, full of delight at the idea that as compatriots we were bound to be congenial. Yet it needed only a glance and a moment’s listening to the fellow’s execrable cockney dialect to perceive that he was distinctly low-class, and I was immensely relieved, upon inquiry, to learn that he affiliated only with the Bohemian set. I felt a marked antagonism between us at that first meeting; the fellow eyed me with frank suspicion and displayed a taste for low chaffing which I felt bound to rebuke. He it was, I may now disclose, who later began a fashion of referring to me as “Lord Algy,” which I found in the worst possible taste. “Sets himself up for a gentleman, does he? He ain’t no more a gentleman than wot I be!” This speech of his reported to me will show how impossible the creature was. He was simply a person one does not know, and I was not long in letting him see it.

And there was the woman who was to play so active a part in my later history, of whom it will be well to speak at once. I had remarked her on the main street before I knew her identity. I am bound to say she stood out from the other women of Red Gap by reason of a certain dash, not to say beauty. Rather above medium height and of pleasingly full figure, her face was piquantly alert, with long-lashed eyes of a peculiar green, a small nose, the least bit raised, a lifted chin, and an abundance of yellowish hair. But it was the expertness of her gowning that really held my attention at that first view, and the fact that she knew what to put on her head. For the most part, the ladies I had met were well enough gotten up yet looked curiously all wrong, lacking a genius for harmony of detail.

This person, I repeat, displayed a taste that was faultless, a knowledge of the peculiar needs of her face and figure that was unimpeachable. Rather with regret it was I found her to be a Mrs. Kenner, the leader of the Bohemian set. And then came the further items that marked her as one that could not be taken up. Perhaps a summary of these may be conveyed when I say that she had long been known as Klondike Kate. She had some years before, it seemed, been a dancing person in the far Alaska north and had there married the proprietor of one of the resorts in which she disported herself—a man who had accumulated a very sizable fortune in his public house and who was shot to death by one of his patrons who had alleged unfairness in a game of chance. The widow had then purchased a townhouse in Red Gap and had quickly gathered about her what was known as the Bohemian set, the county families, of course, refusing to know her.

After that first brief study of her I could more easily account for the undercurrents of bitterness I had felt in Red Gap society. She would be, I saw, a dangerous woman in any situation where she was opposed; there was that about her—a sort of daring disregard of the established social order. I was not surprised to learn that the men of the community strongly favoured her, especially the younger dancing set who were not restrained by domestic considerations. Small wonder then that the women of the “old noblesse,” as I may call them, were outspokenly bitter in their comments upon her. This I discovered when I attended an afternoon meeting of the ladies’ “Onwards and Upwards Club,” which, I had been told, would be devoted to a study of the English Lake poets, and where, it having been discovered that I read rather well, I had consented to favour the assembly with some of the more significant bits from these bards. The meeting, I regret to say, after a formal enough opening was diverted from its original purpose, the time being occupied in a quite heated discussion of a so-called “Dutch Supper” the Klondike person had given the evening before, the same having been attended, it seemed, by the husbands of at least three of those present, who had gone incognito, as it were. At no time during the ensuing two hours was there a moment that seemed opportune for the introduction of some of our noblest verse.

And so, by often painful stages, did my education progress. At the country club I played golf with Mr. Jackson. At social affairs I appeared with the Flouds. I played bridge. I danced the more dignified dances. And, though there was no proper church in the town—only dissenting chapels, Methodist, Presbyterian, and such outlandish persuasions—I attended services each Sabbath, and more than once had tea with what at home would have been the vicar of the parish.

It was now, when I had begun to feel a bit at ease in my queer foreign environment, that Mr. Belknap-Jackson broached his ill-starred plan for amateur theatricals. At the first suggestion of this I was immensely taken with the idea, suspecting that he would perhaps present “Hamlet,” a part to which I have devoted long and intelligent study and to which I feel that I could bring something which has not yet been imparted to it by even the most skilled of our professional actors. But at my suggestion of this Mr. Belknap-Jackson informed me that he had already played Hamlet himself the year before, leaving nothing further to be done in that direction, and he wished now to attempt something more difficult; something, moreover, that would appeal to the little group of thinking people about us—he would have “a little theatre of ideas,” as he phrased it—and he had chosen for his first offering a play entitled “Ghosts” by the foreign dramatist Ibsen.

I suspected at first that this might be a farce where a supposititious ghost brings about absurd predicaments in a country house, having seen something along these lines, but a reading of the thing enlightened me as to its character, which, to put it bluntly, is rather thick. There is a strain of immorality running through it which I believe cannot be too strongly condemned if the world is to be made better, and this is rendered the more repugnant to right-thinking people by the fact that the participants are middle-class persons who converse in quite commonplace language such as one may hear any day in the home.