Somewhere in Red Gap

by Harry Leon Wilson

"You'll notice they do that," says Jake, "whenever a lot of these people are ready to pay their checks. It saves fights, because no one can see if they're added right or not." That was pretty gabby for Jake. Then I listened again to Ben and his little pet. They was talking their way up the Bowery from Atlantic Garden and over to Harry Hill's Place which, it seemed the New Yorker didn't remember, and Ben then recalled an old leper with gray whiskers and a skull cap that kept a drug store in Bleecker Street when Ben was a kid and spent most of his time watering down the sidewalk in front of his place with a hose so that ladies going by would have to raise their skirts out of the wet. His eyes was quite dim as he recalled these sacred boyhood memories.

The New Yorker had unbent a mite like he was going to see the mad adventure through at all costs, though still plainly worried about the dinner check. Ben now said that they two ought to found a New York club. He said there was all other kinds of clubs here—Ohio clubs and Southern clubs and Nebraska societies and Michigan circles and so on, that give large dinners every year, so why shouldn't there be a New York club; maybe they could scare up three or four others that was born here if they advertised. It would of course be the smallest club in the city or in the whole world for that matter. The New Yorker was kind of cold toward this. It must of sounded like the scheme to get money out of him that he'd been expecting all along. Then the waiter brought the check, during another shadow number with red and purple lights, and this lad pulled out a change purse and said in a feeble voice that he supposed we was all paying share and share alike and would the waiter kindly figure out what his share was. Ben didn't even hear him. He peeled a large bill off a roll that made his new suit a bad fit in one place and he left a five on the plate when the change come. The watchful New Yorker now made his first full-hearted speech of the evening. He said that Ben was foolish not to of added up the check to see if it was right, and that half a dollar tip would of been ample for the waiter. Ben pretended not to hear this either, and started again on the dear old times. I says to myself I guess this one is a real New Yorker all right.

Lon Prince now says what's the matter with going to some corking good show because nothing good has come to Red Gap since the Parisian Blond Widows over a year ago and he's eager for entertainment. Ben says "Fine! And here's the wise boy that will steer us right. I bet he knows every show in town."

The New Yorker says he does and has just the play in mind for us, one that he had meant to see himself this very night because it has been endorsed by the drama league of which he is a regular member. Well, that sounded important, so Ben says "What did I tell you? Ain't we lucky to have a good old New Yorker to put us right on shows our first night out. We might have wasted our evening on a dead one."

So we're all delighted and go out and get in a couple of taxicabs, Ben and this city man going in the first one. When ours gets to the theatre Ben is paying the driver while the New Yorker feebly protests that he ought to pay his half of the bill, but Ben don't hear him and don't hear him again when he wants to pay for his own seat in the theatre. I got my first suspicion of this guy right there; for a genuine New Yorker he was too darned conscientious about paying his mere share of everything. You can say lots of things about New Yorkers, but all that I've ever met have been keenly and instantly sensitive to the presence of a determined buyer. Still I didn't think so much about it at that moment. This one looked the part all right, with his slim clothes and his natty cloth hat and the thin gold cigarette case held gracefully open. Then we get into the theatre. Of course Ben had bought a box, that being the only place, he says, that a gentleman can set, owing to the skimpy notions of theatre-seat builders. And we was all prepared for a merry evening at this entertainment which the wise New Yorker would be sure to know was a good one.

But that curtain hadn't been up three minutes before I get my next shock of disbelief about this well-known club man. You know what a good play means in New York: a rattling musical comedy with lively songs, a tenor naval lieutenant in a white uniform, some real funny comedians, and a lot of girls without their stockings on, and so forth. Any one that thinks of a play in New York thinks of that, don't he? And what do we get here and now? Why, we get a gruesome thing about a ruined home with the owner going bankrupt over the telephone that's connected with Wall Street, and a fluffy wife that has a magnetic gentleman friend in a sport suit, and a lady crook that has had husband in her toils, only he sees it all now, and tears and strangulations and divorce, and a faithful old butler that suffers keenly and would go on doing it without a cent of wages if he could only bring every one together again, and a shot up in the bathroom or somewhere and gripping moments and so forth—I want to tell you we was all painfully shocked by this break of the knowing New Yorker. We could hardly believe it was true during the first act. Jeff Tuttle kept wanting to know when the girls was coming on, and didn't they have a muscle dancer in the piece. Ben himself was highly embarrassed and even suspicious for a minute. He looks at the New Yorker sharply and says ain't that a crocheted necktie he's wearing, and the New Yorker says it is and was made for him by his aunt. But Ben ain't got the heart to question him any further. He puts away his base suspicions and tries to get the New Yorker to tell us all about what a good play this is so we'll feel more entertained. So the lad tells us the leading woman is a sterling actress of legitimate methods—all too hard to find in this day of sensationalism, and the play is a triumph of advanced realism written by a serious student of the drama that is trying to save our stage from commercial degradation. He explained a lot about the lesson of the play. Near as I could make out the lesson was that divorce, nowadays, is darned near as uncertain as marriage itself.

"The husband," explains the lad kindly, "is suspected by his wife to have been leading a double life, though of course he was never guilty of more than an indiscretion—"

Jake Berger here exploded rudely into speech again. "Thai wife is leading a double chin," says Jake.

"Say, people," says Lon Price, "mebbe it ain't too late to go to a show this evening."

But the curtain went up for the second act and nobody had the nerve to escape. There continued to be low murmurs of rebellion, just the same, and we all lost track of this here infamy that was occurring on the stage.