Some people came from the music-room.
"Miss Milbrey has stayed by the organist," said one; "and she's promised to make him play one more. Isn't he divine?"
The music came again.
"Oh!" from Mrs. Akemit, again in an ecstasy, '"' he's playing that heavenly stuff from the second act of 'Tristan and Isolde'—the one triumphant, perfect love-poem of all music."
"That Scotch whiskey is good in some of the lesser emergencies," remarked Percival, turning to her; "but it has its limitations. Let's you and me trifle with a nice cold quart of champagne!"
CHAPTER XX.
Doctor Von Herzlich Expounds the Hightower Hotel and Certain Allied Phenomena
The Hightower Hotel is by many observers held to be an instructive microcosm of New York, more especially of upper Broadway, with correct proportions of the native and the visiting provincial. With correct proportions, again, of the money-making native and the money-spending native, male and female. A splendid place is this New York; splendid but terrible. London for the stranger has a steady-going, hearty hospitality. Paris on short notice will be cosily and coaxingly intimate. New York is never either. It overwhelms with its lavish display of wealth, it stuns with its tireless, battering energy. But it stays always aloof, indifferent if it be loved or hated; if it crush or sustain.
The ground floor of the Hightower Hotel reproduces this magnificent, brutal indifference. One might live years in its mile or so of stately corridors and its acre or so of resplendent cafes, parlours, reception-rooms, and restaurants, elbowed by thousands, suffocated by that dense air of human crowdedness, that miasma of brain emanations, and still remain in splendid isolation, as had he worn the magic ring of Gyges. Here is every species of visitor: the money-burdened who "stop" here and cultivate an air of being blase to the wealth of polished splendours; and the less opulent who "stop" cheaply elsewhere and venture in to tread the corridors timidly, to stare with honest, drooping-jawed wonder at its marvels of architecture and decoration, and to gaze with becoming reverence at those persons whom they shrewdly conceive to be social celebrities.