CHAPTER XVII.
The Patricians Entertain
To reward the enduring who read politely through the garish revel of the preceding chapter, covers for fourteen are now laid with correct and tasteful quietness at the sophisticated board of that fine old New York family, the Milbreys. Shaded candles leave all but the glowing table in a gloom discreetly pleasant. One need not look so high as the old-fashioned stuccoed ceiling. The family portraits tone agreeably into the halflight of the walls; the huge old-fashioned walnut sideboard, soberly ornate with its mirrors, its white marble top and its wood-carved fruit, towers majestically aloft in proud scorn of the frivolous Chippendale fad.
Jarvis, the accomplished and incomparable butler, would be subdued and scholarly looking but for the flagrant scandal of his port-wine nose. He gives finishing little fillips to the white chrysanthemums massed in the central epergne on the long silver plateau, and bestows a last cautious survey upon the cut-glass and silver radiating over the dull white damask. Finding the table and its appointments faultless, he assures himself once more that the sherry will come on irreproachably at a temperature of 60 degrees; that the Burgundy will not fall below 65 nor mount above 70; for Jarvis wots of a palate so acutely sensitive that it never fails to record a variation of so much as one degree from the approved standard of temperature.
How restful this quiet and reserve after the colour and line tumult of the Higbee apartment. There the flush and bloom of newness were oppressive to the right-minded. All smelt of the shop. Here the dull tones and decorous lines caress and soothe instead of overwhelming the imagination with effects too grossly literal. Here is the veritable spirit of good form.
Throughout the house this contrast might be noted. It is the brown-stone, high-stoop house, guarded by a cast-iron fence, built in vast numbers when the world of fashion moved North to Murray Hill and Fifth Avenue a generation ago. One of these houses was like all the others inside and out, built of unimaginative "builder's architecture." The hall, the long parlour, the back parlour or library, the high stuccoed ceilings—not only were these alike in all the houses, but the furnishings, too, were apt to be of a sameness in them all, rather heavy and tasteless, but serving the ends that such things should be meant to serve, and never flamboyant. Of these relics of a simpler day not many survive to us, save in the shameful degeneracy of boarding-houses. But in such as are left, we may confidently expect to find the traditions of that more dignified time kept unsullied;—to find, indeed, as we find in the house of Milbrey, a settled air of gloom that suggests insolvent but stubbornly determined exclusiveness.
Something of this air, too, may be noticed in the surviving tenants of these austere relics. Yet it would hardly be observed in this house on this night, for not only do arriving guests bring the aroma of a later prosperity, but the hearts of our host and hostess beat high with a new hope. For the fair and sometimes uncertain daughter of the house of Milbrey, after many ominous mutterings, delays, and frank rebellions, has declared at last her readiness to be a credit to her training by conferring her family prestige, distinction of manner and charms of person upon one equipped for their suitable maintenance.
Already her imaginative father is ravishing in fancy the mouldiest wine-cellars of Continental Europe. Already the fond mother has idealised a house in "Millionaire's Row" east of the Park, where there shall be twenty servants instead of three, and there shall cease that gnawing worry lest the treacherous north-setting current sweep them west of the Park into one of those hideously new apartment houses, where the halls are done in marble that seems to have been sliced from a huge Roquefort cheese, and where one must vie, perhaps, with a shop-keeper for the favours of an irreverent and materialistic janitor.
The young woman herself entertains privately a state of mind which she has no intention of making public. It is enough, she reasons, that her action should outwardly accord with the best traditions of her class; and indeed, her family would never dream of demanding more.