His father had once said barbering was a good loose trade that enabled one to go freely about the world, but the boy had definitely eliminated this from the list of possible crafts, owing to unfortunate experiences with none other than Judge Penniman, for the judge cut his hair. At spaced intervals through the year Winona would give the order and the judge would complainingly make his preparations. The victim was taken to the woodshed and perched on a box which was set on a chair. The judge swathed him with one of Mrs. Penniman's aprons, crowding folds of it inside his neckband. Then with stern orders to hold his head still the rite was consummated with a pair of shears commandeered from plain and fancy dressmaking. Loath himself to begin the work, the judge always came to feel, as it progressed, a fussy pride in his artistry; a pride never in the least justified by results. To Wilbur, after these ordeals, his own mirrored head was a strange and fearsome apparition, the ears appearing to have been too carelessly affixed and the scanty remainder of his hair left in furrows, with pallid scalp showing through. And there were always hairs down his neck, despite the apron. Barbering was not for him—not when you could drive a bus to all trains, or even a dray.

There were also street encounters that summer with old Sharon Whipple, who called the boy Buck and jocularly asked him what he was doing to make a man of himself, and whom he would vote for at the next election. One sunny morning, while Wilbur on River Street weighed the possible attractions of the livery-stable office against the immediate certainty of some pleasant hours with Rufus Paulding, off to the depot to get a load of express packages for people, Sharon in his sagging buggy pulled up to the curb before him and told him to jump in if he wanted a ride. So he had jumped in without further debate.

Sharon's plump figure was loosely clad in gray, and his whimsical eyes twinkled under a wide-brimmed hat of soft straw. He paused to light a cigar after the boy was at his side—the buggy continuing to sag as before—then he pushed up the ends of his eyebrows with the blunt thumb, clicked to the long-striding roan, and they were off at a telling trot. Out over West Hill they went, leaving a thick fog of summer dust in their wake, and on through cool woods to a ridge from which the valley opened, revealing a broad checker-board of ripening grain fields.

"Got to make three of my farms," volunteered Sharon after a silent hour's drive.

"Yes, sir," said Wilbur, which seemed enough for them both until the first of the farms was reached.

Sharon there descended, passing the reins to a proud Wilbur, for talk with his tenant on the steps of the yellow frame farmhouse. Sharon bent his thick round leg to raise a foot to a rustic seat, and upon the cushion thus provided made figures in a notebook. After a time of this, while Wilbur excitingly held the roan horse, made nervous by a hive of bees against the whitewashed fence, he came back to the buggy—which sagged from habit even when disburdened of its owner—and they drove to another farm—a red brick farmhouse, this time, with yellow roses climbing its front. Here Sharon tarried longer in consultation. Wilbur staunchly held the roan, listened to the high-keyed drone of a reaper in a neighbouring field, and watched the old man make more figures in his black notebook. He liked this one of the Whipples pretty well. He was less talkative than Bill Bardin, and his speech was less picturesque than Starling Tucker's or even Trimble Cushman's, who would often threaten to do interesting and horrible things to his big dray horses when they didn't back properly; but Wilbur felt at ease with Sharon, even if he didn't say much or say it in startling words.

When Sharon had done his business the farmer came to lead the roan to the barn, and Sharon, taking a pasteboard box from the back of the buggy, beckoned Wilbur to follow him. They went round the red farmhouse, along a grassy path carelessly bordered with flowers that grew as they would, and at the back came to a little white spring house in which were many pans of milk on shelves, and a big churn. The interior was cool and dim, and a stream of clear water trickled along a passage in the cement floor. They sat on a bench, and Sharon opened his box to produce an astonishing number of sandwiches wrapped in tissue paper, a generous oblong of yellow cheese, and some segments of brown cake splendidly enriched with raisins.

"Pitch in!" said Sharon.

"Yes, sir," said Wilbur, and did so with an admirable restraint, such as Winona would have applauded, nibbling politely at one of the sandwiches.

"Ain't you got your health?" demanded the observant Sharon, capably engulfing half a sandwich.