"Oh, yes, I can. Mary has told us of your offer to take us to Paris on that account. I am sure sometimes that one's misfortunes fall heaviest upon friends."
"It is not too late," he said, earnestly. "If the colonel will keep house and trust you with me, it is not too late. Really, I am almost obliged to visit Paris soon, and if—" he turned to the colonel at a loss for words. That gentleman had passed his hand over his forehead and was looking away.
"You are more than kind, my young friend," he said, sadly: "more than kind. We will see Campbell. If it is necessary Mrs. Montjoy will go to Paris."
Mary had been a silent witness of the little scene. She turned away to hide her emotion, fearful that her voice, if she spoke, would betray her. The Duchess came in and climbed to grandma's lap and wound her arms around the little woman. The colonel had resumed his seat when Mary brought in from the hall the precious violin and laid it upon the piano, waiting there until the conversation lagged.
"Mamma," she said, then, "Mr. Morgan has his violin; he was on his way through here to the general's when I intercepted him. I know you can rely upon him to play for us."
"As much and as often as desired," said Edward heartily. "I have a friend at home, an old professor with whom I studied in Germany, who is engaged in some experiments with vibration, and he has assigned me rather a novel task—that is, I am to go over to the general's and determine the tone of a waterfall, for everything has its tone—your window glass, your walking stick, even—and these will respond to the vibrations which make that tone. Young memories are born of vibration, and old airs bring back old thoughts." He arose and took the violin as he talked.
If the presence of the silent sufferer was not sufficient to touch his heart, there were the brown, smiling eyes of the girl whose fingers met his as he took the instrument. He played as never before. Something went from him into the ripe, resonant instrument, something that even Virdow could not have explained, and through the simple melodies he chose, affected his hearers deeply. Was it the loneliness of the man speaking to the loneliness of the silent woman, whose bandaged forehead rested upon one blue-veined hand? Or was it a new spring opened up by the breath, the floating hair, the smooth contour of cheeks, the melting depths of brown eyes, the divine sympathy of the girl who played his accompaniments?
All the old music of the blind woman's girlhood had been carefully bound and preserved, as should all old music be when it has become a part of our lives; and as this man with his subtle power awoke upon that marvelous instrument the older melodies he gave life to the dreams of her girlish heart. Just so had she played them—if not so true, yet feelingly. By her side had stood a gallant black-haired youth, looking down into her face, reading more in her upturned eyes than her tongue had ever uttered; eyes then liquid and dark with the light of love beaming from their depths; alas, to beam now no more forever! Love must find another speech. She reached out her hand and in eloquent silence it was taken.
Silence drew them all back to earth. But behind the players, an old man's face was bent upon the smooth soft hand of the woman, and eyes that must some day see for both of them, left their tender tribute.
Edward Morgan linked himself to others in that hour with strands stronger than steel. Even the little Duchess felt the charm and power of that violin in the hands of the artist. Wondering, she came to him and stretched up her little hands. He took her upon his knee then, and, holding the instrument under her chin and her hands in his, awoke a little lullaby that had impressed him. As he sang the words, the girl smiled into the faces of the company.