Edward made his way upstairs among the sleeping apartments, full of old and clumsy furniture, the bedding having been removed. Two rooms only were of interest; to the right and rear a small apartment connected with the larger one in front by a door then locked. This small room seemed to have been a boy's. There were bows and arrows, an old muzzle-loading gun, a boat paddle, a dip net, stag horns, some stuffed birds and small animals, the latter sadly dilapidated, a few game pictures, boots, shoes and spurs—even toys. A small bed ready for occupancy stood in one corner and in another a little desk with drop lid. On the hearth were iron fire dogs and ashes, the latter holding fragments of charred paper.
For the first time since entering the house Edward felt a human presence; it was a bright sunny room opening to the western breeze and the berries of a friendly china tree tapped upon the window as he approached it. He placed his hand upon the knob of the door, leading forward, and tried to open it; it was locked.
"That," said the woman's low voice, "is Col. Morgan's mother's room, sir, and nobody ever goes in there. No one has entered that room but him since she died, I reckon more than forty years ago."
Edward had started violently; he turned to find the sad, changeless face of the octoroon at his side.
"And this room?"
"There is where he lived all his life—from the time he was a boy until he died."
Edward took from his pocket the bunch of keys and applied the largest to the lock of the unopened door; the bolt turned easily. As he crossed the threshold a thrill went through him; he seemed to trespass. Here had the boy grown up by his mother, here had been his retreat at all times. When she passed away it was the one spot that kept fresh the heart of the great criminal lawyer, who fought the outside world so fiercely and well. Edward had never known a mother's room, but the scene appealed to him, and for the first time he felt kinship with the man who preceded him, who was never anything but a boy here in these two rooms. Even when he lay dead, back there in that simple bed, over which many a night his mother must have leaned to press her kisses upon his brow, he was a boy grown old and lonely.
One day she had died in this front room! What an agony of grief must have torn the boy left behind. In the dim light of the room he had opened, objects began to appear; almost reverently Edward raised a window and pushed open the shutters. Behind him stood ready for occupancy a snowy bed, with pillows and linen as fresh seemingly as if placed there at morn. By the bedside was a pair of small worn slippers, a rocking chair stood by the east window, and by the chair was a little sewing stand, with a boy's jacket lying near, and threaded needle thrust into its texture. On the little center table was a well-worn Bible by a small brass lamp, and a single painting hung upon the wall—that of a little farmhouse at the foot of a hill, with a girl in frock and poke bonnet swinging upon its gate.
There was no carpet on the floor; only two small rugs. It had been the home of a girl simply raised and grown to womanhood, and her simplicity had been repeated in her boy. The great house had been the design of her husband, but there in these two rooms mother and son found the charm of a bygone life, delighting in those "vague feelings" which science cannot fathom, but which simpler minds accept as the whispering of heredity.
One article only remained unexamined. It was a small picture in a frame that rested upon the mantel and in front of which was draped a velvet cloth. Morgan as in a dream drew aside the screen and saw the face of a wondrously beautiful girl, whose eyes rested pensively upon him. A low cry escaped the octoroon, who had noiselessly followed him; she was nodding her head and muttering, all unconscious of his presence. When she saw at length his face turned in wonder upon her she glided noiselessly from the room. He replaced the cloth, closed the window again and tiptoed out, locking the door behind him.