"You have found the secret," said Benoni; "the chords on the lower octaves made the song."
And so they had parted! The blind man to wait for the final summons; the young man to plunge into complications beyond his wildest dreams.
"A man," said Virdow once, "is a tribe made up of himself, his family and his friends." And this was the history in outline of the man to whom Rita Morgan handed the violin that fateful day when Gerald lay face down among the pillows of his divan.
Recognizing in the delicate and excitable organism before him the possibilities of emotion and imagination, Edward prepared to play. Without hesitation he drew the bow across the strings and began a solemn prelude to a choral. And as he played he noticed the heaving form below him grow still. Then Gerald lifted his face and gazed past the player, with an intensity of vision that deepened until he seemed in the grasp of some stupendous power or emotion. Edward played the recital; the story of Calvary, the crucifixion and the mourning women, and the march of soldiers. Finally there came the tumult of bursting storm and riven tombs. The climax of action occurred there; it was to die away into a movement fitted to the resurrection and the peaceful holiness of Christ's meeting with Mary. But before this latter movement began Gerald leaped upon the player with the quickness and fury of a tiger and by the suddenness of the onset nearly bore him to the floor. This mad assault was accompanied by a shriek of mingled fear and horror.
"Back—would you murder her?" By a great effort Edward freed himself and the endangered violin, and forced the assailant to the divan. The octoroon was kneeling by his side weeping.
"Leave him to me," she said. Stunned and inexpressibly shocked Edward withdrew. The grasp on his throat had been like steel! The marks remained.
"I have," he wrote that night in a letter to Virdow, "heard you more than once express the hope that you would some day be able to visit America. Come now, at once! I have here entered upon a new life and need your help. Further, I believe I can help you."
After describing the circumstances already related, the letter continued: "The susceptibility of this mind to music I regard as one of the most startling experiences I have ever known, and it will afford you an opportunity for testing your theories under circumstances you can never hope for again. Let me say to you here that I am now convinced by some intuitive knowledge that the assault upon me was based upon a memory stirred by the sound of the violin; that vibration created anew in the delicate mind some picture that had been forgotten and brought back again painful emotions that were ungovernable. I cannot think but that it is to have a bearing upon the concealed facts of my life; the discovery of which is my greatest object now, as in the past. And I cannot but believe that your advice and discretion will guide me in the treatment and care of this poor being, perhaps to the extent of affecting a radical change, and leave him a happier and a more rational being.
"Come to me, my friend, at once! I am troubled and perplexed. And do not be offended that I have inclosed exchange for an amount large enough to cover expenses. I am now rich beyond the comprehension of your economical German mind, and surely I may be allowed, in the interests of science, of my ward and myself to spend from the abundant store. I look for you early. In the meantime, I will be careful in my experiments. Come at once! The mind has an independent memory and you can demonstrate it."
Edward knew that there was more on that concluding sentence than in the rest of the letter and exchange combined, and half-believing it, he stated it as a prophecy. He was preparing to retire, when it occurred to him that the strange occupant of the wing-room might need his attention. Something like affection had sprung up in his heart for the unfortunate being who, with chains heavier than his own, had missed the diversion of new scenes, the broadening, the soothing of great landscapes and boundless oceans. A pity moved him to descend and to knock at the door. There was no answer. He entered to find the apartment deserted, but the curtain was drawn from the doorway of the glass-room and he passed in. Upon the bed in the yellow light of the moon lay the slender figure of Gerald, one arm thrown around the disordered hair, the other hanging listless from his side.