So much, for the time being, for the full shot with the cleek. Personally, however, I do not favour a really full shot either with the cleek or any other iron club. When the limit of capability is demanded with this or most other iron clubs in the bag, it is time to consider whether a wooden instrument should not be employed. Therefore I very seldom play the full cleek shot, but limit myself to one which may be said to be slightly above the three-quarters. This is usually quite sufficient for all purposes of length, and it is easier with this limit of swing to keep the wrists and the club generally more under control. Little more can be said by way of printed instruction regarding the ordinary cleek shot, which is called for when the distance to be played falls short of a full brassy, or, on the other hand, when the lie is of too cuppy a character to render the use of the brassy possible with any amount of safety.
THE PUSH SHOT WITH THE CLEEK.
Many players, however, who are young in experience, and some who are older too, seem to imagine that the simplest stroke, as just described, is the limit of the resources of the cleek, and never give it credit for the versatility which it undoubtedly possesses. There is another shot with the cleek which is more difficult than that we have just been discussing, one which it will take many weeks of arduous practice to master, but which, in my opinion, is one of the most valuable and telling shots in golf, and that is the push which is a half shot. Of all the strokes that I like to play, this is my favourite. It is a half shot, but as a matter of fact almost as much length can be obtained with it as in any other way. It is a somewhat peculiar shot, and must be played very exactly. In the first place, either a shorter cleek (about two inches shorter, and preferably with a little more loft than the driving cleek possesses) should be used, or the other one must be gripped lower down the handle. A glance at [Plate XXVI.] and the diagram in the corner will show that the stance is taken much nearer to the ball than when an ordinary cleek shot was being played, that particularly the right foot is nearer, and that the body and feet have again been moved a trifle to the left. Moreover, it is recommended that in the address the hands should be held a little more forward than usual. In this half shot the club is not swung so far back, nor is the follow-through continued so far at the finish. To make a complete success of this stroke, the ball must be hit in much the same manner as when a low ball was wanted in driving against the wind. In playing an ordinary cleek shot, the turf is grazed before the ball in the usual manner; but to make this half or push shot perfectly, the sight should be directed to the centre of the ball, and the club should be brought directly on to it (exactly on the spot marked on the diagram on [page 170]). In this way the turf should be grazed for the first time an inch or two on the far side of the ball. The diagram on this page shows the passage of the club through the ball, as it were, exactly. Then not only is the ball kept low, but certain peculiarities are imparted to its flight, which are of the utmost value when a half shot with the cleek is called for. Not only may the ball be depended upon never to rise above a certain height, but, having reached its highest point, it seems to come down very quickly, travelling but a few yards more, and having very little run on it when it reaches the turf again. When this shot is once mastered, it will be found that these are very valuable peculiarities, for a long approach shot can be gauged with splendid accuracy. The ball is sent forwards and upwards until it is almost overhanging the green, and then down it comes close to the pin. I admit that when the ball is hit in this way the shot is made rather difficult—though not so difficult as it looks—and, of course, it is not absolutely imperative that this method should be followed. Some good players make the stroke in the same way as the full shot, so far as hitting the ball is concerned, but in doing so they certainly lose the advantages I have pointed out, and stand less chance of scoring through a finely placed ball. I may remark that personally I play not only my half cleek stroke but all my cleek strokes in this way, so much am I devoted to the qualities of flight which are thereby imparted to the ball, and though I do not insist that others should do likewise in all cases, I am certainly of opinion that they are missing something when they do not learn to play the half shot in this manner. The greatest danger they have to fear is that in their too conscious efforts to keep the club clear of the ground until after the impact, they will overdo it and simply top the ball, when, of course, there will be no flight at all. I suggest that when this stroke is being practised a close watch should be kept over the forearms and wrists, from which most of the work is wanted. The arms should be kept well in, and the wrists should be very tight and firm. It should be pointed out that there are some circumstances in which it is not safe to attempt to play this stroke. When the club comes to the ground after impact with the ball, very little turf should be taken. It is enough if the grass is shaved well down to the roots. But if the turf is soft and yielding, the club head will have an inevitable tendency to burrow, with the result that it would be next to impossible to follow-through properly with the stroke, and that the ball would skid off, generally to the right. The shot is therefore played to greatest advantage on a hard and fairly dry course.
PLATE XXVI. THE PUSH SHOT WITH THE CLEEK. STANCE