CANTERBURY CATHEDRAL.
CHAPTER I.
THE HISTORY OF THE BUILDING.
More than four hundred years passed by between the beginning of the building of this cathedral by Archbishop Lanfranc (1070-1089) and its completion, by the addition of the great central tower, at the end of the fifteenth century. But before tracing the history of the construction of the present well-known fabric, a few words will not be out of place concerning the church which preceded it on the same site. A British or Roman church, said to have been built by a certain mythical King Lucius, was given to St. Augustine by Ethelbert in a.d. 597. It was designed, broadly speaking, on the plan of the old Basilica of St. Peter at Rome, but as to the latest date of any alterations, which may or may not have been made by Augustine and his immediate successors, we have no accurate information. It is, however, definitely stated that Archbishop Odo, who held the see from a.d. 942-959, raised the walls and rebuilt the roof. In the course of these alterations the church was roofless for three years, and we are told that no rain fell within the precincts during this time. In a.d. 1011 Canterbury was pillaged by the Danes, who carried off Archbishop Alphege to Greenwich, butchered the monks, and did much damage to the church. The building was, however, restored by Canute, who made further atonement by hanging up his crown within its walls, and bringing back the body of Alphege, who had been martyred by the Danes. In the year 1067 the storms of the Norman Conquest overwhelmed St. Augustine’s church, which was completely destroyed by fire, together with many royal deeds of privilege and papal bulls, and other valuable documents.
A description of the church thus destroyed is given by Prof. Willis, who quotes all the ancient writers who mention it. The chief authority is Eadmer, who was a boy at the monastery school when the Saxon church was pulled down, and was afterwards a monk and “singer” in the cathedral. It is he who tells us that it was arranged in some parts in imitation of the church of St. Peter at Rome. Odo had translated the body of Wilfrid, Archbishop of York, from Ripon to Canterbury, and had “worthily placed it in a more lofty receptacle, to use his own words, that is to say, in the great Altar which was constructed of rough stones and mortar, close to the wall at the eastern part of the presbytery. Afterwards another altar was placed at a convenient distance before the aforesaid altar.... In this altar the blessed Elphege had solemnly deposited the head of St. Swithin ... and also many relics of other saints. To reach these altars, a certain crypt which the Romans call a Confessionary had to be ascended by means of several steps from the choir of the singers. This crypt was fabricated beneath in the likeness of the confessionary of St. Peter, the vault of which was raised so high that the part above could only be reached by many steps.” The resting-place of St. Dunstan was separated from the crypt itself by a strong wall, for that most holy father was interred before the aforesaid steps at a great depth in the ground, and at the head of the saint stood the matutinal altar. Thence the choir of the singers was extended westward into the body of the church.... In the next place, beyond the middle of the length of the body there were two towers which projected beyond the aisles of the church. The south tower had an altar in the midst of it, which was dedicated in honour of the blessed Pope Gregory.... Opposite to this tower and on the north, the other tower was built in honour of the blessed Martin, and had about it cloisters for the use of the monks.... The extremity of the church was adorned by the oratory of Mary.... At its eastern part, there was an altar consecrated to the worship of that Lady.... When the priest performed the Divine mysteries at this altar he had his face turned to the east.... Behind him, to the west, was the pontifical chair constructed with handsome workmanship, and of large stones and cement, and far removed from the Lord’s table, being contiguous to the wall of the church which embraced the entire area of the building.
Lanfranc, the first Norman archbishop, was granted the see in 1070. He quickly set about the task of building himself a cathedral. Making no attempt to restore the old fabric, he even destroyed what was left of the monastic building, and built up an entirely new church and monastery. Seven years sufficed to complete his cathedral, which stood on the same ground as the earlier fane. His work, however, was not long left undisturbed. It had not stood for twenty years before the east end of the church was pulled down during the Archiepiscopate of Anselm, and rebuilt in a much more splendid style by Ernulph, the prior of the monastery. Conrad, who succeeded Ernulph as prior, finished the choir, decorating it with great magnificence, and, in the course of his reconstruction, nearly doubling the area of the building. Thus completed anew, the cathedral was dedicated by Archbishop William in a.d. 1130. At this notable ceremony the kings of England and Scotland both assisted, as well as all the English bishops. Forty years later this church was the scene of Thomas à Becket’s murder (a.d. 1170), and it was in Conrad’s choir that the monks watched over his body during the night after his death.