While all adults are supposed to know something of the tribal stories, not all are expected to be good story-tellers. Story-telling is a gift, we know, and primitives know this too, so that everywhere we have pointed out a few individuals who are the best story-tellers, usually an old man, sometimes an old woman, and occasionally, as the writer has seen it, a young man of some dramatic ability. When an important story furnishing a religious or social precedent is called for, either in council meeting or ceremonial, the custodian of the stories is in demand, and is much looked up to; yet primitives rarely create an office or station for the narrator, nor is the distinction so marked as the profession of the medicine man and the priest.
As to the service of myth in primitive life, Wissler[17] says: "It serves as a body of information, as stylistic pattern, as inspiration, as ethical precepts, and finally as art. It furnishes the ever ready allusions to embellish the oration as well as to enliven the conversation of the fireside. Mythology, in the sense in which we have used the term, is the carrier and preserver of the most immaterial part of tribal culture."
There comes a time in the Hopi year when crops have been harvested, most of the heavier and more essentially important religious ceremonials have been performed in their calendar places, and even the main supply of wood for winter fires has been gathered. To be sure, minor dances, some religious and some social, will be taking place from time to time, but now there will be more leisure, leisure for sociability and for story-telling.
Figure 4.—Kiva at Old Oraibi.—Courtesy Arizona State Museum.
In the kivas (See Figure 4) the priests and old men will instruct the boys in the tribal legends, both historical and mythological, and in the religious ceremonies in which they are all later supposed to participate. In the home, some good old story-telling neighbor drops in for supper, and stories are told for the enjoyment of all present, including the children; all kinds of stories, myths, tales of adventure, romances, and even bed-time stories. Indian dolls of painted wood and feathers, made in the image of the Kachinas, are given the children, who thus get a graphic idea of the supposed appearance of the heroes of some of these stories.
The Hopi, like many primitive people, believe that when a bird sings he is weaving a magic spell, and so they have songs for special magic too; some for grinding, for weaving, for planting, others for hunting, and still others for war; all definitely to gain the favor of the gods in these particular occupations.