"At his heels followed a wiry, sharp-eyed shaggy devil of a terrier, dogging his steps as he went slashing up and down, now with one man beside him, now with another, and now quite alone, but always at a fast rolling pace, with his head in the air, and his eyes as wide open as he could get them. A bright, clear-complexioned, mountain-looking fellow, he looks as if he had just come down from the Highlands, and had never taken a pen in hand."

His carelessness of appearances extended to his rooms, which looked like small sections from the primeval chaos. The book-shelves were of unpainted wood, knocked together in the rudest fashion, and the books were many of them tattered and without backs. A case containing foreign birds was used also as a wardrobe, and all of his rare possessions in natural history were mixed up with a most motley collection of books and papers,—these latter consisting of all sorts of scraps, of which no one else could have made anything. He always seemed to be able to find them when wanted, even in the worst confusion; but how he did it was a mystery to his friends. "Here and there, in the interstices between books, were stuffed what appeared to be dingy, crumpled bits of paper, but they were in reality bank-notes, his class fees; which he never carried in a purse, but stuffed away wherever it seemed most convenient at the moment." He never, even in the coldest weather, had a fire in his room.

No account of Kit North would be complete that left out entirely the convivialities of the table, though we should make a great mistake if we took the humorous caricatures of the "Noctes Ambrosianæ" for accounts of literal feats in that line. This has sometimes been done, and he is frequently represented as a glutton and a drunkard. He was neither, although he did perform some remarkable feats both of eating and drinking in his day. His life of constant out-of-door exercise gave him a keen appetite, and a perfect digestion, and he loved the hilarity of the table as well as any man of his day. But in his later life he became a teetotaller. Even in his earlier days it was often the excitement of company which quickened all of his powers to their utmost tension, when the effect was attributed to wine. So fond was he of all sorts and kinds of out-of-the-way company, that he was at one time in the habit of going at midnight to the Angel Inn, where many of the up and down London coaches met, and there to preside at the passengers' supper, carving for them, inquiring all about their respective journeys, and astonishing them with his wit and pleasantry. He would also linger about with coachmen and guards, and was present at, and took a hand in, many a street row, unknown by those with whom he mingled.

He is said to have remained for three months in the back room of a Highland blacksmith, strolling daily about the hills, and performing some of his prodigious pedestrian feats, to the great surprise of the rustics. He is also said to have followed the lady who became his wife all over the lake country of Scotland in the disguise of a waiter, serving her at table wherever the party happened to be, until the suspicions of her father were aroused by seeing the same waiter at every inn. Wilson then made himself known, declared his admiration for the lady, and finally became her accepted suitor. After their marriage he took her with him all over the Highlands on foot, assuring her that only so could she become really acquainted with their beauties. No man perhaps ever loved the Highlands as Christopher North loved them,—with the possible exception of Walter Scott.—and we can truly envy his young bride to be thus escorted through their deepest labyrinths, and introduced to their most delicate and hidden beauties. Here he introduced his beloved also to the cottages of the peasants, and made her acquainted with the poetry of that life which has inspired some of the finest of modern literature. He knew as well as Hogg, or Scott, or Lockhart, that the characteristic romance of a people like the Scotch is to be sought chiefly in the cottages of the poor, and that the finest poetry of such a people has for the most part a like inspiration. And these same peasants showed to their best advantage always when Christopher was around. They loved him instinctively, although they knew him only as a sportsman, or in some cases, perhaps, as a naturalist. But his large heart always shone forth in his intercourse with the poor, and he seemed conscious of no superiority to them, meeting them always on the common ground of humanity, and sympathizing, in his hearty and genial way, in all their joys and sorrows. They took to him just as dogs and children did.

And his descriptions of their cramped and narrow lives, enlivened by his characteristic humor, are among the best pictures the world has cherished of Scottish rural life. He did not spare their vices, but gave many dramatic pictures of the darker sides of peasant life, with which he gained a close acquaintance during those long foot-journeys which he was so fond of making, living really what we would call the life of a tramp, for long periods. Sometimes he camped with gypsies for weeks, and at all times was intimate with all of the so-called lower classes. Tinkers, cairds, poachers, were his familiar roadside acquaintances, and he extracted great amusement from their peculiarities. Sometimes he had to win the respect of these worthies by knocking them down in the beginning of the acquaintance, but after that they usually stood by him to the end. He usually figured as the champion of the weak in these games at fisticuffs, but sometimes he managed things on his own account.

Although he loved to wander in the Highlands, he made his home among the lakes at Elleray. This home was a rambling, mossy-roofed cottage, of very picturesque appearance, overhung by a giant sycamore.

"Never," he says, "in this well-wooded world, not even in the days of the Druids, could there have been such another tree. It would be easier to suppose two Shakspeares. Oh, sweetest and shadiest of sycamores, we love thee beyond all other trees."

And he thus discourses of the lakes amid which he lived,—and about whose borders he wandered so continually:—

"Each lake hath its promontories, that every step you walk, every stroke you row, undergo miraculous metamorphoses, accordant to the change that comes o'er the spirit of your dream, as your imagination glances again over the transfigured mountains. Each lake hath its bays of bliss, where might ride at her moorings, made of the stalks of water-lilies, the fairy bark of a spiritual life. Each lake hath its hanging terraces of immortal green, that along her shores run glimmering far down beneath the superficial sunshine, where the poet in his becalmed canoe, among the lustre, could fondly swear by all that is most beautiful on earth, and air, and water, that these three are one, blended as they are by the interfusing spirit of heavenly peace."

Lover of beauty as he was, yet he was well content with what he could find in Scotland; he cared little for England, and nothing for the Continent. There was enough to exhaust the seeing possibilities of a lifetime in his own little land, with its rocks and lakes and heathery hills. This was because he really had the poet's eye and heart. Such do not need to traverse the whole wide world to find enough of beauty; it is only the mediocre and the commonplace who care to gaze superficially at the landscapes of two continents. But Wilson knew his land not only with the eye of a poet, but also with that of a naturalist. His favorite pastime was ornithology, and he made fine collections of specimens in this line.