Ordericus Vitalis, who was himself half Norman and half English, says that the Normans had become very effeminate in his time, and that after the death of William the Conqueror sodomy was common both in England and Normandy. Guillaume de Nangis, in his chronicle for about 1120, speaking of the two sons of Henry and the company of young nobles who went down with them, in the White Ship, states that nearly all were considered to be sodomists, and Henry of Huntingdon, in his History, looked upon the loss of the White Ship as a judgment of heaven upon sodomy. Anselm, in writing to Archdeacon William to inform him concerning the recent Council at London (1102), gives advice as to how to deal with people who have committed the sin of sodomy, and instructs him not to be too harsh with those who have not realized its gravity, for hitherto "this sin has been so public that hardly anyone has blushed for it, and many, therefore, have plunged into it without realizing its gravity."[[81]] So temperate a remark by a man of such unquestionably high character is more significant of the prevalence of homosexuality than much denunciation.
In religious circles far from courts and cities, as we might expect, homosexuality was regarded with great horror, though even here we may discover evidence of its wide prevalence. Thus in the remarkable Revelation of the Monk of Evesham, written in English in 1196, we find that in the very worst part of Purgatory are confined an innumerable company of sodomists (including a wealthy, witty, and learned divine, a doctor of laws, personally known to the Monk), and whether these people would ever be delivered from Purgatory was a matter of doubt; of the salvation of no other sinners does the Monk of Evesham seem so dubious.
Sodomy had always been an ecclesiastical offense. The Statute of 1533 (25 Henry VIII, c. 6) made it a felony; and Pollock and Maitland consider that this "affords an almost sufficient proof that the temporal courts had not punished it, and that no one had been put to death for it, for a very long time past."[[82]] The temporal law has never, however, proved very successful in repressing homosexuality. At this period the Renaissance movement was reaching England, and here as elsewhere it brought with it, if not an increase, at all events a rehabilitation and often an idealization of homosexuality.[[83]]
An eminent humanist and notable pioneer in dramatic literature, Nicholas Udall, to whom is attributed Ralph Roister Doister, the first English comedy, stands out as unquestionably addicted to homosexual tastes, although he has left no literary evidence of this tendency. He was an early adherent of the Protestant movement, and when head-master of Eton he was noted for his love of inflicting corporal punishment on the boys. Tusser says he once received from Udall 53 stripes for "fault but small or none at all." Here there was evidently a sexual sadistic impulse, for in 1541 (the year of Ralph Roister Doister) Udall was charged with unnatural crime and confessed his guilt before the Privy Council. He was dismissed from the head-mastership and imprisoned, but only for a short time, "and his reputation," his modern biographer states, "was not permanently injured." He retained the vicarage of Braintree, and was much favored by Edward VI, who nominated him to a prebend of Windsor. Queen Mary was also favorable and he became head-master of Westminster School.[[84]]
An Elizabethan lyrical poet of high quality, whose work has had the honor of being confused with Shakespeare's, Richard Barnfield, appears to have possessed the temperament, at least, of the invert. His poems to male friends are of so impassioned a character that they aroused the protests of a very tolerant age. Very little is known of Barnfield's life. Born in 1574 he published his first poem, The Affectionate Shepherd, at the age of 20, while still at the University. It was issued anonymously, revealed much fresh poetic feeling and literary skill, and is addressed to a youth of whom the poet declares:—
"If it be sin to love a lovely lad,
Oh then sin I."
In his subsequent volume, Cynthia (1595), Barnfield disclaims any intention in the earlier poem beyond that of imitating Virgil's second eclogue. But the sonnets in this second volume are even more definitely homosexual than the earlier poem, though he goes on to tell how at last he found a lass whose beauty surpassed that
"of the swain
Whom I never could obtain."
After the age of 31 Barnfield wrote no more, but, being in easy circumstances, retired to his beautiful manor house and country estate in Shropshire, lived there for twenty years and died leaving a wife and son.[[85]] It seems probable that he was of bisexual temperament, and that, as not infrequently happens in such cases, the homosexual element developed early under the influence of a classical education and university associations, while the normal heterosexual element developed later and, as may happen in bisexual persons, was associated with the more commonplace and prosaic side of life. Barnfield was only a genuine poet on the homosexual side of his nature.
Greater men of that age than Barnfield may be suspected of homosexual tendencies. Marlowe, whose most powerful drama, Edward II, is devoted to a picture of the relations between that king and his minions, is himself suspected of homosexuality. An ignorant informer brought certain charges of freethought and criminality against him, and further accused him of asserting that they are fools who love not boys. These charges have doubtless been colored by the vulgar channel through which they passed, but it seems absolutely impossible to regard them as the inventions of a mere gallows-bird such as this informer was.[[86]] Moreover, Marlowe's poetic work, while it shows him by no means insensitive to the beauty of women, also reveals a special and peculiar sensitiveness to masculine beauty. Marlowe clearly had a reckless delight in all things unlawful, and it seems probable that he possessed the bisexual temperament. Shakespeare has also been discussed from this point of view. All that can be said, however, is that he addressed a long series of sonnets to a youthful male friend. These sonnets are written in lover's language of a very tender and noble order. They do not appear to imply any relationship that the writer regarded as shameful or that would be so regarded by the world. Moreover, they seem to represent but a single episode in the life of a very sensitive, many-sided nature.[[87]] There is no other evidence in Shakespeare's work of homosexual instinct such as we may trace throughout Marlowe's, while there is abundant evidence of a constant preoccupation with women.