It can scarcely be said that opinion is unanimous in regard to Sappho, and the reliable information about her, outside the evidence of the fragments of her poems which have reached us, is scanty. Her fame has always been great; in classic times her name was coupled with Homer's. But even to antiquity she was somewhat of an enigma, and many legends grew up around her name, such as the familiar story that she threw herself into the sea for the love of Phaon. What remains clear is that she was regarded with great respect and admiration by her contemporaries, that she was of aristocratic family, that she was probably married and had a daughter, that at one time she had to take her part in political exile, and that she addressed her girl friends in precisely similar terms to those addressed by Alcaeus to youths. We know that in antiquity feminine homosexuality was regarded as especially common in Sparta, Lesbos, and Miletus. Horace, who was able to read Sappho's complete poems, states that the objects of her love-plaints were the young girls of Lesbos, while Ovid, who played so considerable a part in weaving fantastic stories round Sappho's name, never claimed that they had any basis of truth. It was inevitable that the early Christians should eagerly attack so ambiguous a figure, and Tatian (Oratio ad Graecos, cap. 52) reproached the Greeks that they honored statues of the tribade Sappho, a prostitute who had celebrated her own wantonness and infatuation. The result is that in modern times there have been some who placed Sappho's character in a very bad light and others who have gone to the opposite extreme in an attempt at "rehabilitation." Thus, W. Mure, in his History of the Language and Literature of Ancient Greece (1854, vol. iii, pp. 272-326, 496-8), dealing very fully with Sappho, is disposed to accept many of the worst stories about her, though he has no pronounced animus, and, as regards female homosexuality, which he considers to be "far more venial" than male homosexuality, he remarks that "in modern times it has numbered among its votaries females distinguished for refinement of manners and elegant accomplishments." Bascoul, on the other hand, will accept no statements about Sappho which conflict with modern ideals of complete respectability, and even seeks to rewrite her most famous ode in accordance with the colorless literary sense which he supposes that it originally bore (J. M. F. Bascoul, La Chaste Sappho et le Mouvement Feministe à Athènes, 1911). Wilamowitz-Moellendorff (Sappho und Simonides, 1913) also represents the antiquated view, formerly championed by Welcker, according to which the attribution of homosexuality is a charge of "vice," to be repudiated with indignation. Most competent and reliable authorities today, however, while rejecting the accretions of legend around Sappho's name and not disputing her claim to respect, are not disposed to question the personal and homosexual character of her poems. "All ancient tradition and the character of her extant fragments," says Prof. J. A. Platt (Encyclopedia Britannica, 11th. ed., art. "Sappho"), "show that her morality was what has ever since been known as 'Lesbian.'" What exactly that "Lesbian morality" involved, we cannot indeed exactly ascertain. "It is altogether idle," as A. Croiset remarks of Sappho (Histoire de la Littérature Grecque, vol. ii, ch. v), "to discuss the exact quality of this friendship or this love, or to seek to determine with precision the frontiers, which language itself often seems to seek to confuse, of a friendship more or less esthetic and sensual, of a love more or less Platonic." (See also J. M. Edmonds, Sappho in the Added Light of the New Fragments, 1912). Iwan Bloch similarly concludes (Ursprung der Syphilis, vol. ii, 1911, p. 507) that Sappho probably combined, as modern investigation shows to be easily possible, lofty ideal feelings with passionate sensuality, exactly as happens in normal love.
It must also be said that in literature homosexuality in women has furnished a much more frequent motive to the artist than homosexuality in men. Among the Greeks, indeed, homosexuality in women seldom receives literary consecration, and in the revival of the classical spirit at the Renaissance it was still chiefly in male adolescents, as we see, for instance, in Marino's Adone, that the homosexual ideal found expression. After that date male inversion was for a long period rarely touched in literature, save briefly and satirically, while inversion in women becomes a subject which might be treated in detail and even with complacence. Many poets and novelists, especially in France, might be cited in evidence.
Ariosto, it has been pointed out, has described the homosexual attractions of women. Diderot's famous novel, La Religieuse, which, when first published, was thought to have been actually written by a nun, deals with the torture to which a nun was put by the perverse lubricity of her abbess, for whom, it is said, Diderot found a model in the Abbess of Chelles, a daughter of the Regent and thus a member of a family which for several generations showed a marked tendency to inversion. Diderot's narrative has been described as a faithful description of the homosexual phenomena liable to occur in convents. Feminine homosexuality, especially in convents, was often touched on less seriously in the eighteenth century. Thus we find a homosexual scene in Les Plaisirs du Cloître, a play written in 1773 (Le Théâtre d'Amour an XVIIIe Siècle, 1910.) Balzac, who treated so many psychological aspects of love in a more or less veiled manner, has touched on this in La Fille aux Yeux d'Or, in a vague and extravagantly romantic fashion. Gautier made the adventures of a woman who was predisposed to homosexuality, and slowly realizes the fact, the central motive of his wonderful romance, Mademoiselle de Maupin (1835). He approached the subject purely as an artist and poet, but his handling of it shows remarkable insight. Gautier based his romance to some extent on the life of Madame Maupin or, as she preferred to call herself, Mademoiselle Maupin, who was born in 1673 (her father's name being d'Aubigny), dressed as a man, and became famous as a teacher of fencing, afterward as an opera singer. She was apparently of bisexual temperament, and her devotion to women led her into various adventures. She ultimately entered a convent, and died, at the age of 34, with a reputation for sanctity. (E. C. Clayton, Queens of Song, vol. i, pp, 52-61; F. Karsch, "Mademoiselle Maupin," Jahrbuch für sexuelle Zwischenstufen, vol. v, 1903, pp. 694-706.) A still greater writer, Flaubert, in Salammbô (1862) made his heroine homosexual. Zola has described sexual inversion in Nona and elsewhere. Some thirty years ago a popular novelist, A. Belot, published a novel called Mademoiselle Giraud, ma Femme, which was much read; the novelist took the attitude of a moralist who is bound to treat frankly, but with all decorous propriety, a subject of increasing social gravity. The story is that of a man whose bride will not allow his approach on account of her own liaison with a female friend continued after marriage. This book appears to have given origin to a large number of novels, some of which touched the question with considerable less affectation of propriety. Among other novelists who have dealt with the matter may be mentioned Guy de Maupassant (La Femme de Paul), Bourget (Crime d'Amour), Catulle Mendès (Méphistophéla), and Willy in the Claudine series.
Among poets who have used the motive of homosexuality in women with more or less boldness may be found Lamartine (Regina), Swinburne (first series of Poems and Ballads), Verlaine (Parallèlement), and Pierre Louys (Chansons de Bilitis). The last-named book, a collection of homosexual prose-poems, attracted considerable attention on publication, as it was an attempt at mystification, being put forward as a translation of the poems of a newly discovered Oriental Greek poetess; Bilitis (more usually Beltis) is the Syrian name for Aphrodite. Les Chansons de Bilitis are not without charm, but have been severely dealt with by Wilamowitz-Moellendorff (Sappho und Simonides, 1913, p. 63 et seq.) as "a travesty of Hellenism," betraying inadequate knowledge of Greek antiquity.
More interesting, as the work of a woman who was not only highly gifted, but herself of homosexual temperament, are the various volumes of poems published by "Renée Vivien." This lady, whose real name was Pauline Tarn, was born in 1877; her father was of Scotch descent, and her mother an American lady from Honolulu. As a child she was taken to Paris, and was brought up as a French girl. She travelled much and at one time took a house at Mitylene, the chief city of ancient Lesbos. She had a love of solitude, hated publicity, and was devoted to her women friends, especially to one whose early death about 1900 was the great sorrow of Pauline Tarn's life. She is described as very beautiful, very simple and sweet-natured, and highly accomplished in many directions. She suffered, however, from nervous overtension and incurable melancholy. Toward the close of her life she was converted to Catholicism and died in 1909, at the age of 32. She is buried in the cemetery at Passy. Her best verse is by some considered among the finest in the French language. (Charles Brun, "Pauline Tarn," Notes and Queries, 22 Aug., 1914; the same writer, who knew her well, has also written a pamphlet, Renée Vivien, Sansot, Paris, 1911.) Her chief volumes of poems are Etudes et Preludes (1901), Cendres et Poussières (1902), Evocations (1903). A novel, Une Femme M'Apparut (1904), is said to be to some extent autobiographical. "Renée Vivien" also wrote a volume on Sappho with translations, and a further volume of poems, Les Kitharèdes, suggested by the fragments which remain of the minor women poets of Greece, followers of Sappho.
It is, moreover, noteworthy that a remarkably large proportion of the cases in which homosexuality has led to crimes of violence, or otherwise come under medico-legal observation, has been among women. It is well know that the part taken by women generally in open criminality, and especially in crimes of violence, is small as compared with men.[[144]] In the homosexual field, as we might have anticipated, the conditions are to some extent reversed. Inverted men, in whom a more or less feminine temperament is so often found, are rarely impelled to acts of aggressive violence, though they frequently commit suicide. Inverted women, who may retain their feminine emotionality combined with some degree of infantile impulsiveness and masculine energy, present a favorable soil for the seeds of passional crime, under those conditions of jealousy and allied emotions which must so often enter into the invert's life.
The first conspicuous example of this tendency in recent times is the Memphis case (1892) in the United States. (Arthur Macdonald, "Observation de Sexualité Pathologique Feminine," Archives d'Anthropologie Criminelle, May, 1895; see also Krafft-Ebing, Psychopathia Sexualis, Eng. trans, of 10th ed., p. 550.) In this case a congenital sexual invert, Alice Mitchell, planned a marriage with Freda Ward, taking a male-name and costume. This scheme was frustrated by Freda's sister, and Alice Mitchell then cut Freda's throat. There is no reason to suppose that she was insane at the time of the murder. She was a typical invert of a very pronounced kind. Her mother had been insane and had homicidal impulses. She herself was considered unbalanced, and was masculine in her habits from her earliest years. Her face was obviously unsymmetrical and she had an appearance of youthfulness below her age. She was not vicious, and had little knowledge of sexual matters, but when she kissed Freda she was ashamed of being seen, while Freda could see no reason for being ashamed. She was adjudged insane.
There have been numerous cases in America more recently. One case (for some details concerning which I am indebted to Dr. J. G. Kiernan, of Chicago) is that of the "Tiller Sisters," two quintroons, who for many years had acted together under that name in cheap theaters. One, who was an invert, with a horror of men dating from early girlhood, was sexually attached to the other, who was without inborn inversion, and was eventually induced by a man to leave the invert. The latter, overcome by jealousy, broke into the apartment of the couple and shot the man dead. She was tried, and sent to prison for life. A defense of insanity was made, but for this there was no evidence. In another case, also occurring in Chicago (reported in Medicine, June, 1899, and Alienist and Neurologist, October, 1899), a trained nurse lived for fourteen years with a young woman who left her on four different occasions, but was each time induced to return; finally, however, she left and married, whereupon the nurse shot the husband, who was not, however, fatally wounded. The culprit in this case had been twice married, but had not lived with either of her husbands; it was stated that her mother had died in an asylum, and that her brother had committed suicide. She was charged with disorderly conduct, and subjected to a fine.
In another later case in Chicago a Russian girl of 22, named Anna Rubinowitch, shot from motives of jealousy another Russian girl to whom she had been devoted from childhood, and then fatally shot herself. The relations between the two girls had been very intimate. "Our love affair is one purely of the soul," Anna Rubinowitch was accustomed to say; "we love each other on a higher plane than that of earth." (I am informed that there were in fact physical relationships; the sexual organs were normal.) This continued, with great devotion on each side, until Anna's "sweetheart" began to show herself susceptible to the advances of a male wooer. This aroused uncontrollable jealousy in Anna, whose father, it may be noted, had committed suicide by shooting some years previously.
Homosexual relationships are also a cause of suicide among women. Such a case was reported in Massachusetts early in 1901. A girl of 21 had been tended during a period of nervous prostration, apparently of hysterical nature, by a friend and neighbor, fourteen years her senior, married and having children. An intimate friendship grew up, equally ardent on both sides. The mother of the younger woman and the husband of the other took measures to put a stop to the intimacy, and the girl was sent away to a distant city; stolen interviews, however, still occurred. Finally, when the obstacles became insurmountable, the younger woman bought a revolver and deliberately shot herself in the temple, in presence of her mother, dying immediately. Though sometimes thought to act rather strangely, she was a great favorite with all, handsome, very athletic, fond of all outdoor sports, an energetic religious worker, possessing a fine voice, and was an active member of many clubs and societies. The older woman belonged to an aristocratic family and was loved and respected by all. In another case in New York in 1905 a retired sailor, "Captain John Weed," who had commanded transatlantic vessels for many years, was admitted to a Home for old sailors and shortly after became ill and despondent, and cut his throat. It was then found that "Captain Weed" was really a woman. I am informed that the old sailor's despondency and suicide were due to enforced separation from a female companion.