[80]. It must be remembered that for science the mechanistic assumption always remains; it is, as Vaihinger would say, a necessary fiction. To abandon it is to abandon science. Driesch, the most prominent vitalist of our time, has realised this, and in his account of his own mental development (Die Deutsche Philosophie der Gegenwart, vol. I, 1921) he shows how, beginning as a pupil of Haeckel and working at zoölogy for many years, after adopting the theory of vitalism he abandoned all zoölogical work and became a professor of philosophy. When the religious spectator, or the æsthetic spectator (as is well illustrated in the French review L’Esprit Nouveau), sees the “machinery” as something else than machinery he is legitimately going outside the sphere of science, but he is not thereby destroying the basic assumption of science.
[81]. Long ago Edith Simcox (in a passage of her Natural Law which chanced to strike my attention very soon after the episode above narrated) well described “conversion” as a “spiritual revolution,” not based on any single rational consideration, but due to the “cumulative evidence of cognate impressions” resulting, at a particular moment, not in a change of belief, but in a total rearrangement and recolouring of beliefs and impressions, with the supreme result that the order of the universe is apprehended no longer as hostile, but as friendly. This is the fundamental fact of “conversion,” which is the gate of mysticism.
[82]. How we are to analyse the conception of “universe”—apart from its personal emotional tone, which is what mainly concerns us—is, of course, a matter that must be left altogether open and free. Sir James Frazer at the end of his Golden Bough (“Balder the Beautiful,” vol. II, p. 306) finds that the “universe” is an “ever-shifting phantasmagoria of thought,” or, he adds, suddenly shifting to a less idealistic and more realistic standpoint, “shadows on the screen.” That is a literary artist’s metaphysical way of describing the matter and could not occur to any one who was not familiar with the magic lantern which has now developed into the cinema, beloved of philosophers for its symbolic significance. Mr. Bertrand Russell, a more abstract artist, who would reject any such “imaginative admixture” as he would find in Frazer’s view, once severely refused to recognise any such thing as a “universe,” but has since less austerely admitted that there is, after all, a “set of appearances,” which may fairly be labelled “reality,” so long as we do not assume “a mysterious Thing-in-Itself behind the appearances.” (Nation, 6th January, 1923.) But there are always some people who think that an “appearance” must be an appearance of Something, and that when a “shadow” is cast on the screen of our sensory apparatus it must be cast by Something. So every one defines the “universe” in his own way, and no two people—not even the same person long—can define it in the same way. We have to recognise that even the humblest of us is entitled to his own “universe.”
[83]. The simple and essential outlines of “conversion” have been obscured because chiefly studied in the Churches among people whose prepossessions and superstitions have rendered it a highly complex process, and mixed up with questions of right and wrong living which, important as they are, properly form no part of religion. The man who waits to lead a decent life until he has “saved his soul” is not likely to possess a soul that is worth saving. How much ignorance prevails in regard to “conversion,” even among the leaders of religious opinion, and what violent contrasts of opinion—in which sometimes both the opposing parties are mistaken—was well illustrated by a discussion on the subject at the Church Congress at Sheffield in 1922. A distinguished Churchman well defined “conversion” as a unification of character, involving the whole man,—will, intellect, and emotion,—by which a “new self” was achieved; but he also thought that this great revolutionary process consisted usually in giving up some “definite bad habit,” very much doubted whether sudden conversion was a normal phenomenon at all, and made no attempt to distinguish between that kind of “conversion” which is merely the result of suggestion and auto-suggestion, after a kind of hysterical attack produced by feverish emotional appeals, and that which is spontaneous and of lifelong effect. Another speaker went to the opposite extreme by asserting that “conversion” is an absolutely necessary process, and an Archbishop finally swept away “conversion” altogether by declaring that the whole of the religious life (and the whole of the irreligious life?) is a process of conversion. (The Times, 12th October, 1922.) It may be a satisfaction to some to realise that this is a matter on which it is vain to go to the Churches for light.
[84]. Dean Inge (Philosophy of Plotinus, vol. II, p. 165) has some remarks on Plotinus in relation to asceticism.
[85]. Jules de Gaultier (La Philosophie officielle et la Philosophie, p. 150) refers to those Buddhist monks the symbol of whose faith was contained in one syllable: Om. But those monks, he adds, belonged to “the only philosophic race that ever existed” and by the aid of their pure faith, placed on a foundation which no argumentation can upset, all the religious philosophies of the Judeo-Helleno-Christian tradition are but as fairy-tales told to children.
[86]. We must always remember that “Church” and “religion,” though often confused, are far from being interchangeable terms. “Religion” is a natural impulse, “Church” is a social institution. The confusion is unfortunate. Thus Freud (Group Psychology, p. 51) speaks of the probability of religion disappearing and Socialism taking its place. He means not “religion,” but a “Church.” We cannot speak of a natural impulse disappearing, an institution easily may.
[87]. It must be remembered that “intuition” is a word with all sorts of philosophical meanings, in addition to its psychological meanings (which were studied some years ago by Dearborn in the Psychological Review). For the ancient philosophic writers, from the Neo-Platonists on, it was usually a sort of special organ for coming in contact with supernatural realities; for Bergson it is at once a method superior to the intellect for obtaining knowledge and a method of æsthetic contemplation; for Croce it is solely æsthetic, and art is at once “intuition” and “expression” (by which he means the formation of internal images). For Croce, when the mind “intuits” by “expressing,” the result is art. There is no “religion” for Croce except philosophy.
[88]. The modern literature of the Mysteries, especially of Eleusis, is very extensive and elaborate in many languages. I will only mention here a small and not very recent book, Cheetham’s Hulsean Lectures on The Mysteries Pagan and Christian (1897) as for ordinary readers sufficiently indicating the general significance of the Mysteries. There is, yet briefer, a more modern discussion of the matter in the Chapter on “Religion” by Dr. W. R. Inge in R. W. Livingstone’s useful collection of essays, The Legacy of Greece (1921).
[89]. What we call crime is, at the beginning, usually an effort to get, or to pretend to get, into step, but, being a violent or miscalculated effort, it is liable to fail, and the criminal falls to the rear of the social army. “I believe that most murders are really committed by Mrs. Grundy,” a woman writes to me, and, with the due qualification, the saying is worthy of meditation. That is why justice is impotent to prevent or even to punish murder, for Mrs. Grundy is within all of us, being a part of the social discipline, and cannot be hanged.