Is she then always pretty? And quickly she goes to her mirror. Heavens! how badly her hair is done. How badly that ribbon sets! If she had put it in another place? And that little wandering lock; decidedly it must set off that. "Perhaps he would like me better if, instead of plaits, I had curls, and if instead of the brown dress, I put on the blue?"

He. Who is he? He is the imaginary lover, the handsome young man whom she has met in the street, he who turned round to look at her, or the one who was so charming at the last ball, or again the one who has just passed the window.

Who is he? Does she know? It is the one she is waiting for. The first who presents himself who is handsome, young, intelligent and rich. What does the rest matter provided he possesses all these qualities, and all these qualities he must possess.

Often she has never even seen him, but he is charming, and she feels that she loves him already.

And there are the brilliant displays of the future appearing, the enchanted palaces which are built out of the chapters of novels which never will be finished.

And thus every evening—wild adventures in the young brain, intrigues in embryo, meetings full of mystery, delightful terrors with phantom lovers, until at length a very palpable one presents himself, and comes and knocks at the door of reality.

Sometimes he is very far from the cherished dream. He is neither young, nor handsome, nor rich, nor intelligent. She rather makes a face, but she ends by taking him. It is a man.

And meanwhile mamma has said as she kisses her daughter's forehead, "Sleep well, my daughter," and she murmurs to papa, "What an angel of candour!"

LXIX.

THE GUST OF WIND.