The Confessional! Marvellous invention of greedy curiosity, satanic work of some hoary sinner! Hallowed goad of concupiscence, blessed antechamber which leads to the alcove, mysterious retreat where the priest sits between husband and wife, listens to their private talk and stands by, panting at all their excesses. Refuge more secret than the best padded boudoir. Formidable entrenchment sacred to all! What jealous lover would dare to lift that curtain of serge behind which are murmured so many secret confidences?
It is there that the artless virgin utters her first confessions; there, that the plighted maid reveals the beatings of her heart; there, that the blushing bride unveils the secrets of the nuptial couch.
He, the man of God, he listens … he collects all their voluptuous nothings and out of them creates worlds. Do you see him give ear? His face has kept its sanctimonious expression, but the fire gleams forth beneath his drooping eye-lid. He is leaning near, as near as possible to those stammering lips…. The penitent is silent. What! already? everything said already? Oh! that is not enough. She has passed too quickly over certain faults the remembrance of which covers her forehead with a blush. He is not satisfied. He wishes to know further. He reproves gently, "Why hesitate? God is full of pity; but in order that the pardon may be complete, the confession must be complete," and anew he questions, he presses … his temples throb, his blood boils, his hands burn, the demon of the flesh completely embraces him.
Come, incautious girl, speak, explain, give details, and by the confession of your pleasant faults, plunge into ecstasy the ruttish confessor.
[Footnote 1: In the confessionals of the Church of St. Gudule at Brussels and in those of the majority of Belgian churches an opening may be seen contrived in the screen, through which it is easy for mouths to meet.]
III.
THE PARSONAGE.
"The pretty parsonage encircled with verdure,
With its white pigeons cooing on the roof,
Assumes to the sun a saucy air of sanctity
And permits a smell of cooking to go forth."
CAMILLE DELTHIL (Les Rustiques).
The parsonage is seated on the summit of the hill and overlooks a part of the village and of the plain. The traveller perceives from far its white outline in the midst of a nest of verdure, and feels delighted at the view. Nothing more simple than this peaceful house. A single story above the ground-floor, with four windows from which the panes shine cheerfully in the first rays of the sun, and upon the red-tiled roof two attics with pointed gable. The door, which one reaches by a broad stone stair, is framed by two vines, their vigorous branches stretching up to the side of the windows, yielding to the hand, when September is come, their velvety, ruby bunches. Behind the house, a little garden surrounded by a hedge of green, at once an orchard, flower and kitchen garden.