On the face of it, this used to be a couple that could never be divided. Certainly her reputation overshadowed George’s, a situation which usually creates continual problems. It’s hard on a husband when his house is invaded most nights by writers and directors who’ve come to discuss the new picture or new TV show with his wife. He has to sit and listen to them fuss over her with: “Now, darling, you’re looking a little tired and you have to work tomorrow, so you’d better take a pill and go to bed early to catch up on your beauty sleep.”

George, however, didn’t resent Dinah’s success. Though he never quite made film stardom and his own Western series died young on TV, he had his furniture factory, where he worked alongside his employees, and he went on making low-budget pictures. He steered clear of the parasitic life so many husbands enjoy when the woman is combination breadwinner, wife, mother, and working head of the family.

When the husband carries the title of “agent” in Hollywood, it’s a safe bet that he knows next to nothing about the business and is living off his wife. It’s also odds that he has a mistress to while away those long afternoons when he isn’t at the race track or propping up a bar. What can the wife do about it? If she wants to keep her home and family together in some semblance of order, she’s powerless. Daddy must be allowed to continue as “agent,” even if it ruins her.

When you’re a wife as well as an actress, you have to think of your husband, too, not only about your career. Maybe Dinah didn’t think hard enough. George, who in the past had given up several jobs to travel with her, went to the Philippines alone to make a picture and was gone three months. While he was away, she heard rumors that he was seeing a great deal of his leading woman. He hadn’t been back in Hollywood long before she released the announcement that she was filing for divorce.

Only minutes after she’d finally decided on that step, she went on the air with no detectable strain showing as she sang and clowned in her TV show.

She is a forty-five-year-old woman with two children still in school. She is up to her ears in work most of the time. The fact that good men don’t grow on trees is something most women don’t realize until it’s too late. Chances are that a new husband would be second-rate by comparison with George. Could be that thought has struck home with Dinah, too.

* * * * *

Inside the blonde head of tragedy’s child, Marilyn Monroe, fame and misery were mixed up like tangled skeins of knitting wool. She was an unsophisticated, overly trusting creature whose career was always professionally and emotionally complicated beyond her power to control it. She was used by so many people.

She let herself be surrounded by such a clutch of nudgers, prodders, counselors, and advisers that the poor child developed an inferiority complex so ruinous that she was terrified to walk onto any movie set for stark fear she’d fluff a line or miss a cue. She never did have confidence in herself. Toward the end of her life, she couldn’t sit and talk to you without her fingers twisting together like live bait in a jar.

That wasn’t surprising in light of the words of wisdom her confidantes poured into her ears: “You cannot worry about unhappiness. There is no such thing as a happy artist. They develop understanding of things that other people don’t understand.”