...But at this moment I am as indifferent to my Japanese fame as to my renown in Finland. Alas! fame, once sweet as sugared pine-apple and flattery, has for a long time been nauseous to me; it tastes as bitter to me now as wormwood. With Romeo, I can say, "I am the fool of fortune." The bowl stands filled before me, but I lack a spoon. What does it avail me that at banquets my health is pledged in the choicest wines, and drunk from golden goblets, when I, myself, severed from all that makes life pleasant, may only wet my lips with an insipid potion? What does it avail me that enthusiastic youths and maidens crown my marble bust with laurel-wreaths, if meanwhile the shrivelled fingers of an aged nurse press a blister of Spanish flies behind the ears of my actual body. What does it avail me that all the roses of Shiraz so tenderly glow and bloom for me? Alas! Shiraz is two thousand miles away from the Rue d'Amsterdam, where, in the dreary solitude of my sick-room, I have nothing to smell, unless it be the perfume of warmed napkins. Alas! the irony of God weighs heavily upon me! the great Author of the universe, the Aristophanes of Heaven, wished to show the petty, earthly, so-called German Aristophanes that his mightiest sarcasms are but feeble banter compared with His, and how immeasurably he excels me in humour and in colossal wit.

Yes, the mockery which the Master has poured out over me is terrible, and horribly cruel is His sport. Humbly do I acknowledge His superiority, and I prostrate myself in the dust before Him. But, although I lack such supreme creative powers, yet in my spirit also the eternal reason flames brightly, and I may summon even the wit of God before its forum, and subject it to a respectful criticism. And here I venture to offer most submissively the suggestion that the sport which the Master has inflicted on the poor pupil is rather too long drawn out: it has already lasted over six years, and after a time becomes monotonous. Moreover, if I may take the liberty to say it, in my humble opinion the jest is not new, and the great Aristophanes of Heaven has already used it on a former occasion, and has, therefore, been guilty of plagiarism on His own exalted self. In order to prove this assertion, I will quote a passage from the Chronicle of Lüneberg. This chronicle is very interesting for those who seek information concerning the manners and customs of Germany during the middle ages. As in a fashion-journal, it describes the wearing-apparel of both sexes which was in vogue at each particular period. It also imparts information concerning the popular ballads of the day, and quotes the opening lines of several of them. Among others, it records that during the year 1480 there were whistled and sung throughout all Germany certain songs, which for sweetness and tenderness surpassed any previously known in German lands. Young and old, and the women in particular, were quite bewitched by these ballads, which might be heard the livelong day. But these songs, so the chronicle goes on to say, were composed by a young priest who was afflicted with leprosy, and lived a forlorn, solitary life, secluded from all the world. You are surely aware, dear reader, what a horrible disease leprosy was during the middle ages, and how the wretched beings afflicted with this incurable malady were driven out from all society and from the abodes of men, and were forbidden to approach any human being. Living corpses, they wandered to and fro, muffled from head to foot, a hood drawn over the face, and carrying in the hand a bell, the Lazarus-bell, as it was called, through which they were to give timely warning of their approach, so that every one could get out of the way in time. The poor priest whose fame as a lyric poet the chronicle praised so highly was such a leper; and while all Germany, shouting and jubilant, sang and whistled his songs, he, a wretched outcast, in the desolation of his misery sat sorrowful and alone.

Oh, that fame was the old, familiar scorn, the cruel jest of God, the same as in my case, although there it appears in the romantic garb of the middle ages. The blasé king of Judea said rightly, There is no new thing under the sun. Perhaps that sun itself, which now beams so imposingly, is only an old warmed-up jest.

Sometimes among the gloomy phantasms that visit me at night I seem to see before me the poor priest of the Lüneberg Chronicle, my brother in Apollo, and his sorrowful eyes stare strangely out of his hood; but almost at the same moment it vanishes, and, faintly dying away, like the echo of a dream, I hear the jarring tones of the Lazarus-bell.

Printed by WALTER SCOTT, Felling, Newcastle-upon-Tyne.


The Canterbury Poets.

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