With deep affection and recollection
I often think of Shandon bells,
Whose sounds so wild would in days of childhood
Fling round my cradle their magic spells,
On this I ponder where'er I wander,
And thus grow fonder, sweet Cork, of thee;
With the bells of Shandon
That sound so grand on, etc., etc.
The river Lee runs through the handsome little city, and has often been favourably compared with the Rhine. But Bandon must be reached, which is easily managed in an hour by rail, and there you are met by your host with a neat dog-cart, and good grey mare; being in light marching order, your kit is quickly stowed away by a smart-looking groom, and soon you find yourself tearing along at a spanking pace through the "most Protestant" town of Bandon, where Mr. Hungerford pulls up for a moment to point out the spot where once the old gates stood, whereon was written the legend, "Let no Papist enter here." Years after, a priest in the dead of night added to it. He wrote:—
Whoever wrote this, wrote it well,
The same is written on the gates of Hell.
Then up the hill past Ballymoden Church, in through the gates of Castle Bernard, past Lord Bandon's beautiful old castle covered with exquisite ivy, out through a second gate, over the railway, a drive of twenty minutes in all, and so up to the gates of St. Brenda's. A private road of about half a mile long, hedged on either side by privet and hawthorn and golden furze, leads to the avenue proper, the entrance gate of which is flanked by two handsome deodars. It takes a few minutes more to arrive at a large, square, ivy-clad house, and ere there is time to take in an idea of its gardens and surroundings, the great hall door is flung open, a little form trips down the stone steps, and almost before the horse has come to a standstill, Mrs. Hungerford gives you indeed the "hearty Irish welcome" she promised.
It is now about four o'clock, and the day is growing dark. Your hostess draws you in hastily out of the cold, into a spacious hall lighted by a hanging Eastern lamp, and by two other lamps let into the wide circular staircase at the lower end of it. The drawing-room door is open, and a stream of ruddy light from half-a-dozen crimson shaded lamps, rushing out, seems to welcome you too. It is a large, handsome room, very lofty, and charmingly furnished, with a Persian carpet, tiny tables, low lounging chairs, innumerable knick-knacks of all kinds, ferns, winter flowers of every sort, screens and palms. A great fire of pine-logs is roaring up the chimney. The piano is draped with Bokhara plush, and everywhere the latest magazines, novels, and papers are scattered.
Mrs. Hungerford is a very tiny woman, but slight and well-proportioned. Her large hazel eyes, sparkling with fun and merriment, are shaded by thick, curly lashes. She has a small, determined mouth, and the chin slightly upturned, gives a piquante expression to the intelligent face—so bright and vivacious. Her hair is of a fair-brown colour, a little lighter than her eyelashes, and is piled up high on the top of her head, breaking away into natural curls over her brow. She is clad in an exquisite tea-gown of dark blue plush, with a soft, hanging, loose front of a lighter shade of silk. Some old lace ruffles finish off the wrists and throat, and she wears a pair of little high-heeled Louis quinze shoes, which display her small and pretty feet. She looks the embodiment of good temper, merry wit, and espièglerie.
It is difficult to realize that she is the mother of the six children who are grouped in the background. One lovely little fairy, "Vera," aged three and a half, runs clinging up to her skirts, and peeps out shyly. Her delicate colouring suggests a bit of dainty Dresden china. Later on, you discover that this is actually the pet name by which she is known, being indeed quite famous here as a small beauty. "Master Tom," a splendid roly-poly fellow, aged sixteen months, is playing with a heap of toys on the rug near the fire and is carefully watched over by a young brother of five. The three other girls are charming little maidens. The eldest, though but in her early teens, is intellectual and studious; the second has a decided talent for painting, whilst the third, says her mother, laughing, "is a consummate idler, but witty and clever."
By and bye your hostess takes you into what she calls her "den," for a long, undisturbed chat, and this room also bears the stamp of her taste and love of study. A big log fire burns merrily here, too, in the huge grate, and lights up a splendid old oak cabinet, reaching from floor to ceiling, which, with four more bookcases, seems literally crammed with dictionaries, books of reference, novels, and other light literature; but the picturesque is not wanting, and there are plenty of other decorations, such as paintings, flowers, and valuable old china to be seen. Here the clever little author passes three hours every morning. She is, as usual, over-full of work, sells as fast as she can write, and has at the present time more commissions than she can get through during the next few years. Everything is very orderly—each big or little bundle of MSS. is neatly tied together and duly labelled. She opens one drawer of a great knee-hole writing table, which discloses hundreds of half sheets of paper. "Yes," she says, with a laugh; "I scribble my notes on these: they are the backs of my friends' letters; how astonished many of them would be if they knew that the last half sheet they write me becomes on the spot a medium for the latest full-blown accounts of a murder, or a laugh, or a swindle, perhaps, more frequently, a flirtation! I am a bad sleeper," she adds, "I think my brain is too active, for I always plan out my best scenes at night, and write them out in the morning without any trouble." She finds, too, that driving has a curious effect upon her; the action of the air seems to stimulate her. She dislikes talking, or being talked to, when driving, but loves to think, and to watch the lovely variations of the world around her, and often comes home filled with fresh ideas, scenes, and conversations, which she scribbles down without even waiting to throw off her furs. Asking her how she goes to work about her plot, she answers with a reproachful little laugh—"That is unkind! You know I never have a plot really, not the bonâ fide plot one looks for in a novel. An idea comes to me, or I to it," she says, airily, "a scene—a situation—a young man, a young woman, and on that mental hint I begin to build," but the question naturally arises, she must make a beginning? "Indeed, no," she replies; "it has frequently happened to me that I have written the last chapter first, and so, as it were, worked backwards."
"Phyllis" was the young author's first work. It was written before she was nineteen, and was read by Mr. James Payn, who accepted it for Messrs. Smith and Elder.
Mrs. Hungerford is the daughter of the late Rev. Canon Hamilton, rector and vicar choral of St. Faughnan's cathedral in Ross Carberry, co. Cork, one of the oldest churches in Ireland. Her grandfather was John Hamilton, of Vesington, Dunboyne, a property thirteen miles out of Dublin. The family is very old, very distinguished, and came over from Scotland to Ireland in the reign of James I.