BAYEUX TAPESTRY (DETAIL), 1066
Napoleon returned the cloth to Bayeux, not to the church, but to the Hotel de Ville, in which manner it became the property of the civil authorities, instead of the ecclesiastic. It was rolled on cylinders, that by an easy mechanism it might be seen by visitors. But the fabric suffered much by the handling of a curious public. Even the most enlightened and considerate hands can break threads which time has played with for eight centuries.
It was decided, therefore, to give the ancient toile fatiguée a quiet, permanent home. For this purpose a museum was built, and about 1835 the great Bayeux tapestry was carefully installed behind glass, its full length extended on the walls for all to see who journey thither and who ring the guardian’s bell at the courtyard’s handsome portico.
Once since then, once only, has the venerable fabric left its cabinet. This was at the time of the Prussians when, in 1871, France trembled for even her most intimate and special treasures.
The tapestry was taken from its case, rolled with care and placed in a zinc cylinder, hermetically sealed. Then it was placed far from harm; but exactly where, is a secret that the guardians of the tapestry do well to conserve. There might be another trouble, and asylum needed for the treasure in the future.
The pictures of the great embroidery are such as a child might draw, for crudeness; but the archeologist knows how to read into them a thousand vital points. History helps out, too, with the story of Harold, moustached like the proper Englishman of to-day, taking a commission from William, riding gaily out on a gentleman’s errand, not a warrior’s. This is shown by the falcon on his wrist, that wonderful bird of the Middle Ages that marked the gentleman by his associations, marked the high-born man on an errand of peace or pleasure.
In these travelling days, no sooner do we land in Normandy than Mount St. Michael looms up as a happy pilgrimage. So to the same religious refuge Harold went on the pictured cloth, crossed the adjacent river in peril, and—how pleasingly does the past leap up and tap the present—he floundered in the quicksands that surround the Mount, and about which the driver of your carriage across the passerelle will tell you recent tales of similar flounderings.
And when in Brittany, who does not go to tumbley-down Dinan to see its ancient gates and walls, its palaces of Queen Anne, its lurching crowd of houses? It is thither that Harold, made of threads of ancient wool, sped and gave battle after the manner of his time.