One night in April, when the season was nearing its close, a telegram was handed to him, just as he was about to step upon the stage. It was from his wife, and summoned him to Rochester, to the bedside of his only son, Kit Carson Cody. He consulted with his manager, and it was arranged that after the first act he should be excused, that he might catch the train.
That first act was a miserable experience, though the audience did not suspect that the actor's heart was almost stopped by fear and anxiety. He caught his train, and the manager, John Burke, an actor of much experience, played out the part.
It was, too, a miserable ride to Rochester, filled up with the gloomiest of forebodings, heightened by memories of every incident in the precious little life now in danger.
Kit was a handsome child, with striking features and curly hair. His mother always dressed him in the finest clothes, and tempted by these combined attractions, gypsies had carried him away the previous summer. But Kit was the son of a scout, and his young eyes were sharp. He marked the trail followed by his captors, and at the first opportunity gave them the slip and got safely home, exclaiming as he toddled into the sobbing family circle, "I tumed back adain, mama; don't cry." Despite his anxiety, Will smiled at the recollection of the season when his little son had been a regular visitor at the theater. The little fellow knew that the most important feature of a dramatic performance, from a management's point of view, is a large audience. He watched the seats fill in keen anxiety, and the moment the curtain rose and his father appeared on the stage, he would make a trumpet of his little hands, and shout from his box, "Good house, papa!" The audience learned to expect and enjoy this bit of by-play between father and son. His duty performed, Kit settled himself in his seat, and gave himself up to undisturbed enjoyment of the play.
When Will reached Rochester he found his son still alive, though beyond the reach of medical aid. He was burning up with fever, but still conscious, and the little arms were joyfully lifted to clasp around his father's neck. He lingered during the next day and into the night, but the end came, and Will faced a great sorrow of his life. He had built fond hopes for his son, and in a breath they had been swept away. His boyhood musings over the prophecy of the fortune-teller had taken a turn when his own boy was born. It might be Kit's destiny to become President of the United States; it was not his own. Now, hope and fear had vanished together, the fabric of the dream had dissolved, and left "not a rack behind."
Little Kit was laid to rest in Mount Hope Cemetery, April 24, 1876. He is not dead, but sleeping; not lost, but gone before. He has joined the innumerable company of the white-souled throng in the regions of the blest. He has gone to aid my mother in her mission unfulfilled—that of turning heavenward the eyes of those that loved them so dearly here on earth.
CHAPTER XXIII. — THE GOVERNMENT'S INDIAN POLICY.
VERY glad was the sad-hearted father that the theatrical season was so nearly over. The mummeries of stage life were more distasteful to him than ever when he returned to his company with his crushing grief fresh upon him. He played nightly to crowded houses, but it was plain that his heart was not in his work. A letter from Colonel Mills, informing him that his services were needed in the army, came as a welcome relief. He canceled his few remaining dates, and disbanded his company with a substantial remuneration.
This was the spring of the Centennial year. It has also been called the "Custer year," for during that summer the gallant general and his heroic Three Hundred fell in their unequal contest with Sitting Bull and his warriors.