Trails Through Western Woods

by Helen Fitzgerald Sanders

And the Indian, grown used to such things, folds his tipi and takes his way into the charity of the lessening wilderness.

Not long ago a strange thing came to pass. One evening the sun set in a passion of red and gold. The tide of light pulsed through the skies, the air throbbed and shimmered with it, and every lake and pool reflected its ruddy splendour until they seemed to be filled with blood. The Indians gazed at the spectacle in silent awe. Groups of them on horseback, dark figures silhouetted against the bright sky, stared curiously at the awful glory of the heavens and earth, whispered in low tones together and were afraid. Was the Great Spirit revealing something to his children? Some there were who thought that the crimson banners in the West foretold a disaster and verily it was true. The end was near. The sun was setting forever upon their freedom. Once more the children of the old time would be driven to another camping ground where they might halt for a little space and rest their weary heads before they take up the march upon their endless retreat.

IV

During the Summer at the time when the sun reached his greatest strength, according to the ancient custom, the Selish gathered together to dance. In this celebration is embodied the spirit of the people, their pride, their hates and loves. But this dance had a peculiar significance. It was, perhaps, the last that the tribe will celebrate. Another year the white man will occupy the land, and the free, roving life and its habits will be gone. It was a scene never to be forgotten. Overhead a sky deeply azure at its zenith which mellowed toward the West into a tide of ruddy gold flowing between the blue heavens and the green earth; far, far away, dim, amethyst mountains dreaming in the haze; and through that rose-gold flood of light, sharply outlined against the intense blue above and the tender green below, silent figures on horseback, gay with blankets, beads and buckskins, rode out of the filmy distance into the splendour of the setting sun, and noiselessly took their places around the musicians on the grass.

There were among them the most distinguished men of the tribe. Joe La Mousse, once a warrior of fame, grown to an honored old age, watched the younger generation with the simple dignity which becomes one of his years and rank. He possessed the richest war dress of all, strung with elks' teeth and resplendent with the feathers of the war-eagle. It was he, who with Charlot, met the Nez Percés and repudiated their bloody campaign; he, whose valiant ancestor, Ignace La Mousse, the Iroquois, helped to make glorious the name of his adopted people. François and Kai-Kai-She, the judge, both honoured patriarchs, and Chief Antoine Moise, Callup-Squal-She, "Crane with a ring around his neck," who followed Charlot to Washington on his mission of protest, moved and mingled in the bright patchwork of groups upon the green. There was none more imbued with the spirit of festivity than old François with white hair falling to his bowed shoulders. These and many more there were whose prime had known happier days. Chief Moise's wife, a handsome squaw, rode in with her lord, and conspicuous among the women was a slim wisp of a girl with an oval face, buckskin-colored complexion, and great, dusky, twilight eyes. A pale gray-green blanket was wrapped about her head and body, hanging to her moccasined feet. She was the wife of Michel Kaiser, the young leader of the braves. But towering above the rest of the assembly, regal to the point of austerity, was a man aged but still erect, as though his strength of pride would never let his shoulders stoop beneath the conquering years. He wore his blanket folded closely around him and fanned himself with an eagle's wing, the emblem of the warrior. One eye was hidden beneath a white film which had shut out its sight forever, but the other, coal-black and piercing, met the stranger gaze for gaze, never flinching, never turning aside. It was Charlot. Though an exile, his head was still unbent, his spirit unbroken.

Sometimes we see in the aged, the placid melancholy which comes with the foreknowledge of death, so in the serenely sad faces of the aged Indians, we recognize that greater melancholy which is born of the foreshadowing of racial death. They cherish, too, a more personal grief in that they shall live to see the passing of the old life. Patiently they submitted to the expulsion from the Bitter Root, but now in the darkness of gathering years once more they must strike their tipis to make room for the invading hosts. The setting sun streamed through the leaves and touched the venerable faces with false youth. Wagon and pony discharged their human loads who sat passively, listening to the admonition of the tom-tom and the chant:

"Come, O! ye people! Come and dance!"

After this preliminary measure had lasted hours, not an Indian professed to know whether the people would be moved to dance or not. A race characteristic is that impulse must quicken them to action. It was strange how the tidings had spread. The tipis and lodges are scattered over many miles, but the Indians kept coming as though called up by magic from their hiding places in the hills.

Beneath a clump of cottonwood trees around the tom-tom, a drum made of deer hide stretched over a hollowed section of green tree, sat the four musicians beating the time of the chant with sticks bound in strips of cloth. Of these players one was blind, another aged, and the remaining two, in holiday attire, with painted lips and cheeks, were braves. One of these, seated a trifle higher than his companions, leaned indolently over the tom-tom plying his sticks with careless grace. He possessed a peculiar magnetism which marked him a leader. Occasionally his whole body thrilled with sudden animation, his voice rose into a strident cry, then he relapsed into the languid posture and the bee-like drone. Of all that gathering he was the one perfect, full-blood specimen of a brave in the height of his prime. The dandy, Victor Vanderberg, was handsomer perhaps, and little Jerome had the beauty of a head of Raphael, but this Michel Kaiser was a type apart. His face and slim, nimble hands were the colour of bronze. His nose curved sharply as a hawk's beak, his mouth was compressed in a hard, cold line over his white teeth, his cheek bones were high and prominent, his brows straight, sable strokes above small, bright-black eyes that gleamed keen as arrow darts. His hair was made into two thick braids wrapped around with brown fur, his arms were decorated with bracelets and from his neck hung string upon string of beads falling to his waist. It was he who with suppressed energy flung back his head as he gave the shrill cry and quickened the beat of the tom-tom until louder and louder, faster and faster swelled the chant:

"Come, O! ye people! Come and dance!"