"Open these large windows on to the porch, Jerry, and your Mos' Grif will talk to you from here. Just keep them all outside. I liked your songs. When Mos' Grif is done with you all, sing some more—sing that one he likes so well—the one about 'Fun in de Cabin.'" "To be sho', Mis' Kath'rine, to be sho'. Dat I will. What dat Mos' Grif gwine ter gib us? Milt he 'low dat hit's terbacker, an' Lippy Jane she 'low dat hit's calicker, an' John he 'low dat—"
With the opening of the low windows a great wave of "howdys" arose and a cloud of black faces clustered dose to the open spaces. The moon was rising behind them and the lamp on the table within gave but a feeble effort to rival the mellow light outside. The master was slow to begin, but, at last, when the greetings were over he said, with an effort to seem indifferent, "You all know that we are going away from here and that you are going, too; but—" He found the task harder than he had expected. His voice trembled and he was glad that Katherine put her hand on his arm. He shifted his position and began again. "You have all heard of freedom." He was looking at them, and the faces were so blandly, blankly vacant of that which he was groping for—they were so evidently expecting a gift of tobacco, or its like—that he omitted all he had thought of to say of their new freedom and what it could mean for them, and what it had meant for him to secure it for them, and at once held up the folded papers. "These are legal papers. They are all registered at a court-house. I have one for each one of you. These papers set you free! They are manumission papers, and you are all to be free! free—"
The silence was unbroken except for a slight shuffling of feet, but the dire disappointment was depicted on every face. That was too plain to be mistaken. Only papers! No tobacco! No calico! Nothing to eat! The silence grew uncomfortable. They were waiting for something for which they could give out the "thanky, Mos' Grif, thanky, sir, I's mighty much 'bleeged t' you, I is dat!" in their own hearty and happy way.
Griffith found himself trying to explain what these papers really were. He chanced to open Judy's first. He would make an object lesson of it. She had been his nurse, and was too old and rheumatic to work except as the spirit of occupation urged her to some trifling task. Griffith was reading the paper and explaining as he went. The negroes looked from the master to Judy and back again until he was done. She walked lamely to his side when he had finished and was holding her freedom papers toward her. She held out her hand for it. Then she tore it through twice and tossed it out of the window. Her eyes flashed and she held herself erect.
"What I want wid yoah ole mannermussent papers? What I want wid 'em, hey?" She folded her arms. "Me a free nigger! Me! Mos' Grif, yoh ain't nebber gwine ter lib t' be ole enough t' make no free nigger out ob ole Judy! What I fotch yoh up foh? Didn't I nus yoh fum de time yoh was a teenchy little baby, an' wasn't ole Mis' and yoah paw sas'fied wid me? What I done t' yoh now? What fo' is yoh gwine ter tun me loose dat a way? Mannermussent papers!" she exclaimed, in a tone of contemptuous wrath, "mannermussent papers! Yoh can't mannermussent yoah ole Aunt Judy! Deys life lef in her yit!"
It was done so suddenly. The reception of freedom was so utterly unexpected—so opposed to what he had fondly hoped—that Griffith stood amazed. Katherine motioned to mammy, who still stood with the white baby in her arms. "Give me the baby, mammy. I will—"
"Mis' Kate," said the old woman, turning, as she pushed her way through the room, "Mis' Kate, do Mos' Grif mean dat yo' alls is gwine ter leabe us? Do he mean dat we alls is got ter be free niggers, wid no fambly an' no big house an' no baby t' nus?"
She changed the child's position, and the little soft, white cheek lay contentedly against the black one.
"'Cause, if dat's wat Mos' Grif mean, dis heah chile ob yoahs an' ole mammy, deys gwine t' stay togedder. Dis heah mammy don't eben tetch no ole mannermossent papers! Tar hit up yo'se'f, Mis' Kate, kase dis heah nigger ain't eben gwine t' tetch hit. She's des gwine ter put dis baby ter bed lak she alius done. Goodnight, Mis' Kate! Good-night, Mos' Grif!"
She was half-way up the stairs, when she turned.