Next I take up the Spy. He writhes in my hand. I ply the paint brush, more yellow paint on the yellow spots. True to prediction, his strings become entangled. “I told you so,” hissed the green and yellow Spy. “My spots will dry over night. You must arrange my strings tomorrow.” I set him beside the Chief Prophet where he slinks down and subsides. “Hee, hee, hee,” snickers the other Spy who has cerise spots of silk on lavender. He is crouched on the floor in a heap. I raise him and place him beside his fellow. He reaches out a long brown arm and pokes him slyly.
I collect the other dolls. Very crude little rag affairs they seem in their unfinished condition. The naked, white body of the King I lay beside that of the Sentinel. One could scarcely tell them apart except that the feet of the King are already encased in little scarlet boots which are long and pointed and curled at the tips. The King is a stiff, unbending person. But the other is a well built fellow fashioned with exceeding care to stand and walk and sit superbly in a few clothes holding a long red spear and a shield. Into the box I lay them, white bodies, blank faces, limber arms and legs. “I shall have to shop again for the King’s purple robe. What a bore!” I think, as I dump disjointed priests, children and servants, all on top of His Majesty, and close the cover of the tin box.
“You are insolent,” said the Chief Prophet of the Stars. “Well, yes, perhaps, oh mighty marionette,” I admit, “but I am sleepy. Goodnight.”
“Fatigue is human,” remarked the black-robed Priest. “We marionettes transcend such frailty.”
“We are immortal!!!” boomed forth the Chief Prophet. “So saith Anatole France, also Charles Magnin, also others.”
“Hist,” whispered one of the Spies, “it is written in The Mask....” And, as I moved quietly about in the adjoining room I heard them discussing many matters, concerning themselves, of course. There was talk of the ancient Indian Ramajana, of the Joruri plays of Japan, of bleeding Saints and nodding Madonnas in Mediaeval churches. The conversation veered to Pulcinella, his kinship with Kasper and Karagheuz and with Punch across the channel. There were murmurings of the names of Goethe, Voltaire, even Shakespeare to say nothing of Bernard Shaw, Maeterlinck, Hoffmansthal, Schnitzler, all from the dolls on the mantel and much, much more besides. Some things I overheard distinctly before I fell asleep: some I may have dreamed. All that I could recall I have put into a little book.
Puppets of Antiquity
“I wish to discant on the marionette.
One needs a keen taste for it and also a little veneration.