Bits about Home Matters

by Helen Hunt Jackson

She looked down at her wet dress suddenly, as if it had not occurred to her before that it was raining. Then she drew first one little foot and then the other out of the muddy puddle in which she had been standing, and, moving a little closer to the window, said, "I'm not jist goin' home, mem. I'd like to stop here a bit."

So I left her. But, after I had gone a few blocks, the impulse seized me to return by a cross street, and see if she were still there. Tears sprang to my eyes as I first caught sight of the upright little figure, standing in the same spot, still pointing with the rhythmic finger to the blues and reds and yellows, and half chanting under her breath, as before, "I choose that color." "I choose that color." "I choose that color."

I went quietly on my way, without disturbing her again. But I said in my heart, "Little Messenger, Interpreter, Teacher! I will remember you all my life."

Why should days ever be dark, life ever be colorless? There is always sun; there are always blue and scarlet and yellow and purple. We cannot reach them, perhaps, but we can see them, if it is only "through a glass," and "darkly,"--still we can see them. We can "choose" our colors. It rains, perhaps; and we are standing in the cold. Never mind. If we look earnestly enough at the brightness which is on the other side of the glass, we shall forget the wet and not feel the cold. And now and then a passer-by, who has rolled himself up in furs to keep out the cold, but shivers nevertheless,--who has money in his purse to buy many colors, if he likes, but, nevertheless, goes grumbling because some colors are too dear for him,--such a passer-by, chancing to hear our voice, and see the atmosphere of our content, may learn a wondrous secret,--that pennilessness is not poverty, and ownership is not possession; that to be without is not always to lack, and to reach is not to attain; that sunlight is for all eyes that look up, and color for those who "choose."

The Apostle of Beauty.

He is not of the twelve, any more than the golden rule is of the ten. "A greater commandment I give unto you," was said of that. Also it was called the "new commandment." Yet it was really older than the rest, and greater only because it included them all. There were those who kept it ages before Moses went up Sinai: Joseph, for instance, his ancestor; and the king's daughter, by whose goodness he lived. So stands the Apostle of Beauty, greater than the twelve, newer and older; setting Gospel over against law, having known law before its beginning; living triumphantly free and unconscious of penalty.

He has had martyrdom, and will have. His church is never established; the world does not follow him; only of Wisdom is he known, and of her children, who are children of light. He never speaks by their mouths who say "Shalt not." He knows that "shalt not" is illegitimate, puny, trying always to usurp the throne of the true king, "Thou shalt."

"This is delight," "this is good to see," he says of a purity, of a fair thing. It needs not to speak of the impurity, of the ugliness. Left unmentioned, unforbidden, who knows how soon they might die out of men's lives, perhaps even from the earth's surface? Men hedging gardens have for centuries set plants under that "letter of law" which "killeth," until the very word hedge has become a pain and an offence; and all the while there have been standing in every wild country graceful walls of unhindered brier and berry, to which the apostles of beauty have been silently pointing. By degrees gardeners have learned something. The best of them now call themselves "landscape gardeners;" and that is a concession, if it means, as I suppose it does, that they will try to copy Nature's landscapes in their enclosures. I have seen also of late that on rich men's estates tangled growths of native bushes are being more let alone, and hedges seem to have had some of the weights and harness taken off of them.

This is but one little matter among millions with which the Apostle of Beauty has to do; but it serves for instance of the first requisite he demands, which is freedom. "Let use take care of itself." "It will," he says. "There is no beauty without freedom."

Nothing is too high for him, nothing too low or small. To speak more truly, in his eyes there is no small, no low. From a philanthropy down to a gown, one catholic necessity, one catholic principle; gowns can be benefactions or injuries; philanthropies can be well or ill clad.