Glimpses of Three Coasts

by Helen Hunt Jackson

"No, you are not to go to Elsinore. It is not necessary. You shall not leave Copenhagen without seeing Rosenborg. Promise me that you will come again to Rosenborg. Promise! Take any hour you please, and I will come. You shall have four—five hours. Promise! Promise!" And he seized my hand in both of his, and held it, repeating, "Promise me! Promise! Oh, we shall be very good friends,—very good."

"Ah," I said, "I knew, if you only understood, you would be friendly; but I really cannot come again."

He pulled out his watch, made a gesture of despair. "I have to leave town in one little half-hour; and there are yet seventeen rooms you have not seen. You shall not leave Copenhagen till you have seen. Do you promise?"

I believe if I had not promised I should be still standing in the halls of the Rosenborg. When I finally said, "Yes, I promise," he wrung my hand again, and said,—

"Now we are good friends, we shall be all good friends. I will show to you all Rosenborg. Do you promise?"

"Yes," I said, "I promise," and drove away, leaving him standing on the sidewalk, his steel blue eyes flashing with determination and fire, and a smile on his face which I shall not forget. Never before did I see such passionate, fierce fulness of life in a man whose hair was white.

I promised, but I did not go. From the Rosenborg I drove to the Museum of Northern Antiquities,—from five to seven of that day being my only chance of seeing it at all. By the time I had spent two hours in the hurried attempt to see the most interesting things in this second collection, my brain was in a state of chaos, and I went back to my hotel with a sense of loathing of museums, only to be compared to the feeling one would have about dinners if he had eaten ten hearty ones in one day. One does not sleep off such an indigestion in one night. The next morning, nothing save actual terror could have driven me into a museum; and as my noble Dane was not present to cow me into obedience, I had energy enough to write him a note of farewell and regret. The regret was indeed heartfelt, not so much for the museum as for him. I would have liked to see those blue eyes flash out from under the gray eyebrows once more. I too felt that we would be "good friends,—good."

Now I will try to tell you a little of the little I remember of the Rosenborg. I only got as far as Frederick IV.'s time, 1730. Many of the most beautiful things in the museum I did not see, and of many that I did see I recollect nothing, especially of all which I looked at while I was in disgrace with the guide; I might as well not have seen them at all.

One little unpretending thing interested me greatly: it was a plain gold ring, with a small uncut sapphire in it; round the circle is engraved, "Ave Maria gr. [gratiosissima]." It was given by King Christian to his wife, Elizabeth, on their wedding-day, Aug. 12, 1515,—three hundred years and two weeks before the day I saw it. It lay near the great Oldenborg drinking-horn, and few people would care much for it by the side of the other, I suppose. Then there was another bridal ornament of a dead queen,—it had belonged to Dorothea, wife of Christian III.,—a gold plate, four or five inches square, with an eagle in the centre, bearing an escutcheon with the date 1557: on the eagle's breast a large uncut sapphire; over the eagle, an emerald and a sapphire; and under it, a sapphire and an amethyst, all very large. There are also pearls set here and there in the plate. This was given to the city of Copenhagen by the queen, to be worn by the daughters of the richest and most honored of the Danish people on their wedding-day. It was for many generations kept and used in this way, but finally the custom fell into disuse; and now the Copenhagen brides think no more of Queen Dorothea at their weddings, than of any other old gone-by queen,—which is a pity, it seems to me, for it surely was a lovely thought of hers to ally her memory to the bridals of young maidens in her land for all time.

There was in this room, also, Frederick II.'s Order of the Elephant, the oldest in existence, and held in great veneration by people who esteem ornaments of that sort. It is much less beautiful than some other orders of less distinction. The elephant is a clumsy beast, carve him never so finely, enamel him all you will, and call him what you like.