Glimpses of Three Coasts

by Helen Hunt Jackson

"This is the squaw's horse," said an Indian woman in the San Jacinto valley one day, tapping her forehead and laughing good-naturedly, when the shopkeeper remonstrated with her husband, who was heaping article after article, and finally a large sack of flour, on her shoulders; "squaw's horse very strong."

The original site of the San Gabriel Mission was a few miles to the east of the City of the Angels. Its lands are now divided into ranches and colony settlements, only a few acres remaining in the possession of the Church. But the old chapel is still standing in a fair state of preservation, used for the daily services of the San Gabriel parish; and there are in its near neighborhood a few crumbling adobe hovels left, the only remains of the once splendid and opulent mission. In one of these lives a Mexican woman, eighty-two years old, who for more than half a century has washed and mended the priests' laces, repaired the robes, and remodelled the vestments of San Gabriel. She is worth crossing the continent to see: all white from head to foot, as if bleached by some strange gramarye; white hair, white skin, blue eyes faded nearly to white; white cotton clothes, ragged and not over clean, yet not a trace of color in them; a white linen handkerchief, delicately embroidered by herself, always tied loosely around her throat. She sits on a low box, leaning against the wall, with three white pillows at her back, her feet on a cushion on the ground; in front of her, another low box, on this a lace-maker's pillow, with knotted fringe stretched on it; at her left hand a battered copper caldron, holding hot coals to warm her fingers and to light her cigarettes. A match she will never use; and she has seldom been without a cigarette in her mouth since she was six years old. On her right hand is a chest filled with her treasures,—rags of damask, silk, velvet, lace, muslin, ribbon, artificial flowers, flosses, worsteds, silks on spools; here she sits, day in, day out, making cotton fringes and, out of shreds of silk, tiny embroidered scapulars, which she sells to all devout and charitable people of the region. She also teaches the children of the parish to read and to pray. The walls of her hovel are papered with tattered pictures, including many gay-colored ones, taken off tin cans, their flaunting signs reading drolly,—"Perfection Press Mackerel, Boston, Mass.," "Charm Baking Powder," and "Knowlton's Inks," alternating with "Toledo Blades" and clipper-ship advertisements. She finds these of great use in both teaching and amusing the children. The ceiling, of canvas, black with smoke, and festooned with cobwebs, sags down in folds, and shows many a rent. When it rains, her poor little place must be drenched in spots. One end of the room is curtained off with calico; this is her bedchamber. At the other end is a raised dais, on which stands an altar, holding a small statuette of the Infant Jesus. It is a copy in wood of the famous Little Jesus of Atoches in Mexico, which is worshipped by all the people in that region. It has been her constant companion and protector for fifty years. Over the altar is a canopy of calico, decorated with paper flowers, whirligigs, doves, and little gourds; with votive offerings, also, of gold or silver, from grateful people helped or cured by the Little Jesus. On the statuette's head is a tiny hat of real gold, and a real gold sceptre in the little hand; the breast of its fine white linen cambric gown is pinned by a gold pin. It has a wardrobe with as many changes as an actor. She keeps these carefully hid away in a small camphor-wood trunk, but she brought them all out to show to us.

Two of her barefooted, ragged little pupils scampered in as she was unfolding these gay doll's clothes. They crowded close around her knees and looked on, with open-mouthed awe and admiration: a purple velvet cape with white fringe for feast days; capes of satin, of brocade; a dozen shirts of finest linen, embroidered or trimmed with lace; a tiny plume not more than an inch long, of gold exquisitely carved,—this was her chief treasure. It looked beautiful in his hat, she said, but it was too valuable to wear often. Hid away here among the image's best clothes were more of the gold votive offerings it had received: one a head cut out of solid gold; several rosaries of carved beads, silver and gold. Spite of her apparently unbounded faith in the Little Jesus' power to protect her and himself, the old woman thought it wiser to keep these valuables concealed from the common gaze.

Holding up a silken pillow some sixteen inches square, she said, "You could not guess with what that pillow is filled." We could not, indeed. It was her own hair. With pride she asked us to take it in our hands, that we might see how heavy it was. For sixteen years she had been saving it, and it was to be put under her head in her coffin. The friend who had taken us to her home exclaimed on hearing this. "And I can tell you it was beautiful hair. I recollect it forty-five years ago, bright brown, and down to her ankles, and enough of it to roll herself up in." The old woman nodded and laughed, much pleased at this compliment. She did not know why the Lord had preserved her life so long, she said; but she was very happy. Her nieces had asked her to go and live with them in Santa Ana; but she could not go away from San Gabriel. She told them that there was plenty of water in the ditch close by her door, and that God would take care of the rest, and so he had; she never wants for anything; not only is she never hungry herself, but she always has food to give away. No one would suppose it, but many people come to eat with her in her house. God never forgets her one minute. She is very happy. She is never ill; or if she is, she has two remedies, which, in all her life, have never failed to cure her, and they cost nothing,—saliva and ear-wax. For a pain, the sign of the cross, made with saliva on the spot which is in pain, is instantaneously effective; for an eruption or any skin disorder, the application of ear-wax is a sure cure. She is very glad to live so close to the church; the father has promised her this room as long as she lives; when she dies, it will be no trouble, he says, to pick her up and carry her across the road to the church. In a gay painted box, standing on two chairs, so as to be kept from the dampness of the bare earth floor, she cherishes the few relics of her better days: a shawl and a ribosa of silk, and two gowns, one of black silk, one of dark blue satin. These are of the fashions of twenty years ago; they were given to her by her husband. She wears them now when she goes to church; so it is as if she were "married again," she says, and is "her husband's work still." She seems to be a character well known and held in some regard by the clergy of her church. When the bishop returned a few years ago from a visit to Rome, he brought her a little gift, a carved figure of a saint. She asked him if he could not get for her a bit of the relics of Saint Viviano. "Oh, let alone!" he replied; "give you relics? Wait a bit; and as soon as you die, I'll have you made into relics yourself." She laughed as heartily, telling this somewhat unecclesiastical rejoinder, as if it had been made at some other person's expense.

In the marvellously preserving air of California, added to her own contented temperament, there is no reason why this happy old lady should not last, as some of her Indian neighbors have, well into a second century. Before she ceases from her peaceful, pitiful little labors, new generations of millionnaires in her country will no doubt have piled up bigger fortunes than this generation ever dreams of, but there will not be a man of them all so rich as she.

In the western suburbs of Los Angeles is a low adobe house, built after the ancient style, on three sides of a square, surrounded by orchards, vineyards, and orange groves, and looking out on an old-fashioned garden, in which southernwood, rue, lavender, mint, marigolds, and gillyflowers hold their own bravely, growing in straight and angular beds among the newer splendors of verbenas, roses, carnations, and geraniums. On two sides of the house runs a broad porch, where stand rows of geraniums and chrysanthemums growing in odd-shaped earthen pots. Here may often be seen a beautiful young Mexican woman, flitting about among the plants, or sporting with a superb Saint Bernard dog. Her clear olive skin, soft brown eyes, delicate sensitive nostrils, and broad smiling mouth, are all of the Spanish madonna type; and when her low brow is bound, as is often her wont, by turban folds of soft brown or green gauze, her face becomes a picture indeed. She is the young wife of a gray-headed Mexican señor, of whom—by his own most gracious permission—I shall speak by his familiar name, Don Antonio. Whoever has the fortune to pass as a friend across the threshold of this house finds himself transported, as by a miracle, into the life of a half-century ago. The rooms are ornamented with fans, shells, feather and wax flowers, pictures, saints' images, old laces, and stuffs, in the quaint gay Mexican fashion. On the day when I first saw them, they were brilliant with bloom. In every one of the deep window-seats stood a cone of bright flowers, its base made by large white datura blossoms, their creamy whorls all turned outward, making a superb decoration. I went for but a few moments' call. I stayed three hours, and left carrying with me bewildering treasures of pictures of the olden time.

Don Antonio speaks little English; but the señora knows just enough of the language to make her use of it delicious, as she translates for her husband. It is an entrancing sight to watch his dark, weather-beaten face, full of lightning changes as he pours out torrents of his nervous, eloquent Spanish speech; watching his wife intently, hearkening to each word she uses, sometimes interrupting her urgently with, "No, no; that is not it,"—for he well understands the tongue he cannot or will not use for himself. He is sixty-five years of age, but he is young: the best waltzer in Los Angeles to-day; his eye keen, his blood fiery quick; his memory like a burning-glass bringing into sharp light and focus a half-century as if it were a yesterday. Full of sentiment, of an intense and poetic nature, he looks back to the lost empire of his race and people on the California shores with a sorrow far too proud for any antagonisms or complaints. He recognizes the inexorableness of the laws under whose workings his nation is slowly, surely giving place to one more representative of the age. Intellectually he is in sympathy with progress, with reform, with civilization at its utmost; he would not have had them stayed, or changed, because his people could not keep up, and were not ready. But his heart is none the less saddened and lonely.

This is probably the position and point of view of most cultivated Mexican men of his age. The suffering involved in it is inevitable. It is part of the great, unreckoned price which must always be paid for the gain the world gets, when the young and strong supersede the old and weak.

A sunny little southeast corner room in Don Antonio's house is full of the relics of the time when he and his father were foremost representatives of ideas and progress in the City of the Angels, and taught the first school that was kept in the place. This was nearly a half-century ago. On the walls of the room still hang maps and charts which they used; and carefully preserved, with the tender reverence of which only poetic natures are capable, are still to be seen there the old atlases, primers, catechisms, grammars, reading-books, which meant toil and trouble to the merry, ignorant children of the merry and ignorant people of that time.

The leathern covers of the books are thin and frayed by long handling; the edges of the leaves worn down as if mice had gnawed them: tattered, loose, hanging by yellow threads, they look far older than they are, and bear vivid record of the days when books were so rare and precious that each book did doubled and redoubled duty, passing from hand to hand and house to house. It was on the old Lancaster system that Los Angeles set out in educating its children; and here are still preserved the formal and elaborate instructions for teachers and schools on that plan; also volumes of Spain's laws for military judges in 1781, and a quaint old volume called "Secrets of Agriculture, Fields and Pastures," written by a Catholic Father in 1617, reprinted in 1781, and held of great value in its day as a sure guide to success with crops. Accompanying it was a chart, a perpetual circle, by which might be foretold, with certainty, what years would be barren and what ones fruitful.