"The gossip keekit in his loof;
Quo' scho, 'Wha lives will see the proof,—
This waly boy will be nae coof;
I think we'll ca' him Robin.'"
Before he was many days old, or, as some traditions have it, on the very night he was born, a violent storm "tirled" away part of the roof of the poor little "clay biggin," and mother and babe were forced to seek shelter in a neighbor's cottage. Misfortune and Robin early joined company, and never parted. The little bedroom is now the show-room of the inn, and is filled with tables piled with the well-known boxes, pincushions, baskets, paper-cutters, etc., made from sycamore wood grown on the banks of Doon and Ayr. These articles are all stamped with some pictures of scenery associated with Burns or with quotations from his verses. It is impossible to see all this money-making without thinking what a delicious, rollicking bit of verse Burns would write about it himself if he came back to-day. There are those who offer for sale articles said to be made out of the old timbers of the Mossgiel house; but the Balaklava Englishman scouts all that as the most barefaced imposture. "There wasn't an inch of that timber," he says,—and he was there when the house was taken down—"which wasn't worm-eaten and rotten; not enough to make a knife-handle of!"
One feels disposed to pass over in silence the "Burns Monument," which was built in 1820, at a cost of over three thousand pounds; "a circular temple supported by nine fluted Corinthian columns, emblematic of the nine muses," say the guide-books. It stands in a garden overlooking the Doon, and is a painful sight. But in a room in the base of it are to be seen some relics at which no Burns lover can look unmoved,—the Bibles he gave to Highland Mary, the ring with which he wedded Jean (taken off after her death), and two rings containing some of his hair.
It is but a few steps from this monument down to a spot on the "banks o' bonnie Doon," from which is a fine view of the "auld brig." This shining, silent water, and the overhanging, silent trees, and the silent bell in the gable of Alloway Kirk, speak more eloquently of Burns than do all nine of the Corinthian muse-dedicated pillars in his monument.
So do the twa brigs of Ayr, which still stand at the foot of High Street, silently recriminating each other as of old.
"I doubt na, frien', ye'll think ye'r nae sheep-shank
When ye are streekit o'er frae bank to bank,"