Glimpses of Three Coasts

by Helen Hunt Jackson

The name of the Duke of Westminster and the value of that two and sixpence to his grace meant more to me that morning than it would have done twenty-four hours earlier; for on the previous afternoon we had visited his palace, the famous Eaton Hall. We had walked there for weary hours over marble floors, under frescoed domes, through long lines of statues, of pictures, of stained-glass windows, hangings, carvings, and rare relics and trophies innumerable. We had seen the duchess's window balcony, one waving mass of yellow musk. "Her ladyship is very fond of musk. It is always to be kept flowering at her window," we were told.

We had walked also through a glass corridor three hundred and seventy-five yards long, draped with white clematis and heliotrope on one side, and on the other banked high with geraniums, carnations, and all manner of flowers. Opening at intervals in these banks of flowers were doors into other conservatories: one was filled chiefly with rare orchids, like an enchanted aviary of hummingbirds, arrested on the wing; gold and white, purple and white, brown and gold, green, snowy white, orange; some of them as large as a fleur-de-lis. Another house was filled with ferns and palms, green, luxuriant, like a bit of tropical forest brought across seas for his grace's pleasure. The most superb sight of all was the lotus house. Cleopatra herself might have flushed with pleasure at beholding it. A deep tank, sixty feet long, and twenty wide, filled with white and blue and pink blossoms, floating, swaying, lolling on the dark water; while, seemingly to uphold the glass roof canopying this lotus-decked sea, rose slender columns, wreathed with thunbergia vines in full bloom, yellow, orange, and white; the glass walls of the building were set thick and high with maiden-hair and other rare ferns, interspersed at irregular intervals with solid masses of purple or white flowers. The spell of the place, of its warm, languid air, was beyond words: it was bewildering.

All this being vivid in my mind, I started at hearing his grace's name from the old woman's lips.

"So these houses belong to the Duke of Westminster, do they?" I replied.

"Yes, 'ee's the 'ole o' 't," she answered; "an' a power o' money it brings 'im in, considerin' its size. 'Ee 's big rents in this town. Mebbe ye've bin out t' 'is 'all? It's a gran' sight, I'm told. I've never seen it."

I was minded then to tell about the duke's flowers. It would have been only a bit of a fairy story to the little maid, a bright spot in her still bright horizons; but I forebore, for the sake of the old woman's soul, already enough wrung and embittered by the long strain of her hard lot, and its contrast with that of her betters, without having that contrast enforced by a vivid picture of the duke's hothouses. My own memory of them was darkened forever,—unreasonably so, perhaps; but the antithesis came too suddenly and soon for me ever to separate the pictures.

The archæologist in Chester will frequently be lured from its streets to its still more famous walls. This side Rome there is no such piece of Roman masonry work, to be seen. Here, indeed, is the air full of ballad measures, to which one must step, if he go his way thinking at all. The four great gates, north, south, east, and west,—three kept by earls, and only one owned by the citizens; the lesser posterns, with commoner names, born of their different sorts of traffic, or the fords to which they led; the towers and turrets, fought over, lost and won, and won and lost, trod by centuries of brave fighters whose names live forever; bridgeways and arches in their own successions, of as noble lineage as any lineages of men,—of such are the walls of Chester. They surround the old city; are nearly two miles in length, and were originally of the width prescribed in the ancient Roman manual of Vitruvius, "that two armed men may pass each other without impediment." There are many places, now, however, which would by no means come up to that standard; Nature having usurped much space with her various growths, and time having been chipping away at them as well. In fact, on some portions of the wall, there is only a narrow grassy footpath, such as might wind around in a village churchyard. To come up by hoary stone stairs, out of the bustling street, atop of the wall, and out on such a bit of footpath as this, with an outlook over the Rood Eye meadow and off toward the region of the old Welsh castles, is a fine early-morning treat in Chester. Some of the towers are now sunk to the ignoble uses of heterogeneous museums. Old women have the keys, and for a fee admit curious people to the ancient chambers and keeps, where, after having the satisfaction of standing where kings have stood, and looking off over fields where kings' battles were fought, they can gaze at glass cases full of curiosities and relics of one sort and another, sometimes of an incredible worthlessness. In the tower known as King Charles's Tower, from the fact of Charles I. having stood there, on the 27th of September, 1645, overlooking the to him luckless battle of Rowton Moor, is the most miscellaneous collection of odds and ends ever offered to public gaze. A very old woman keeps the key of this tower, and is herself by no means the least of the curiosities in it. She was born in Chester, and recollects well when all the space outside the old walls, which is now occupied by the modern city, was chiefly woods; she used to go, in her childhood, to play and to gather flowers in them. The fact that King Charles once looked through the window of this turret has grown, by a sort of geometrical ratio relative to the number of years she has been reiterating the statement, into a colossally disproportionate place in her mind.

"The king, mem, stood just where you're standin' now," she says over and over and over, in a mechanical manner, as long as you remain in the tower. I wondered if she said it all night, in her sleep; and if, if one were to spend a whole day in the tower, she would never stop saying it. She was an enthusiastic show-woman of her little store; undismayed by any amount of indifference on the part of her listeners. "'Ere 's a face you know, mem, I dare say," producing from one corner of the glass case a cheap newspaper picture, much soiled, of General Grant. "'Ee was in this tower last summer, and 'ee was much hinterested."

Next to General Grant's portrait came "a ring snake from Kentucky." "It's my brother, mem, brought that over: twenty years ago, 'ee was in Hamerica. You must undustand the puttin' of 'em hup better than we do, mem, for 'ere's these salamanders was only put hup two years ago, an' they've quite gone a'ready, in that time."

She had a statuette of King Charles, Cromwell's chaplain's broth bowl, a bit of a bedquilt of Queen Anne's, a black snake from Australia, a fine-tooth comb from Africa, a tattered fifty-cent piece of American paper currency, and a string of shell money from the South Sea Islands, all arranged in close proximity. Taking up the bit of American currency, she held it out toward us, saying inquiringly, "Hextinct now, mem, I believe?" I think she can hardly have recovered even yet from the bewilderment into which she was thrown by our convulsive laughter and ejaculated reply, "Oh, no! Would that it were!"