Glimpses of Three Coasts

by Helen Hunt Jackson

Downstairs we found an aged couple, who had come from another of the buildings, hearing of our presence. These were the grandparents. The old woman was eighty-four, and was knitting briskly without glasses. She took us into the storerooms, where were bins of flour and grain; hams of beef and pork hanging up; wooden utensils of all sorts, curiously carved and stained wooden spoons, among other things,—a cask full of them, put away to be used "when they had a merry-making." Here also were stacks of fladbröd. This is the staple of the Norwegian's living; it is a coarse bread made of dark flour, in cakes as thin as a wafer and as big round as a barrel. This is baked once a year, in the spring, is piled up in stacks in the storerooms, and keeps good till the spring baking comes round again. It is very sweet and nutritious: one might easily fare worse than to have to make a meal of it with milk. On one of the storeroom shelves I spied an old wooden drinking-bowl, set away with dried peas in it. It had been broken, and riveted together in the bottom, but would no longer hold water, so had been degraded to this use. It had once been gayly painted, and had a motto in old Norwegian around the edge: "Drink in good-will, and give thanks to God." I coveted the thing, and offered to buy it. It was a study to see the old people consult with each other if they should let it go. It seemed that when they first went to housekeeping it had been given to them by the woman's mother, and was an old bowl even then. It was certainly over a hundred years old, and how much more there was no knowing. After long discussion they decided to sell it to me for four kroner (about one dollar), which the son thought (Sanna said) was a shameful price to ask for an old broken bowl. But he stood by in filial submission, and made no loud objection to the barter. The old woman also showed us a fine blanket, which had been spun and woven by her mother a hundred years ago. It was as gay of color and fantastic of design as if it had been made in Algiers. This too she was willing to sell for an absurdly small price, but it was too heavy to bring away. At weddings and other festivities these gay blankets are hung on the walls; and it is the custom for neighbors to lend all they can on such occasions.

The next farm we visited belonged to the richest people in Vos. It lay a half-mile still higher up, and the road leading to it seemed perilously steep. The higher we went, the greater the profusion of flowers: the stony way led us through tracts of bloom, in blue and gold; tall spikes of mullein in clumps like hollyhocks, and "shepherd's bells" in great purple patches.

The buildings of this farm were clustered around a sort of court-yard enclosure, roughly flagged by slate. Most of the roofs were also slated; one or two were thatched, and these thatched roofs were the only thing that redeemed the gloom of the spot, the sods on these being bright with pansies and grasses and waving raspberry bushes. Here also we found the men of the family alone at home, the women being gone on their summering at the sæter. The youngest son showed us freely from room to room, and displayed with some pride the trunks full of blankets and linen, and the rows of women's dresses hanging in the chambers. On two sides of one large room these were hung thick one above another, no variety in them, and no finery; merely a succession of strong, serviceable petticoats, of black, green, or gray woollen. The gay jackets and stomachers were packed away in trunks; huge fur-lined coats, made of the same shape for men and for women, hung in the storeroom. Some of the trunks were red, painted in gay colors; some were of polished cedar, finished with fine brass mountings. As soon as a Norwegian girl approaches womanhood, one of these trunks is given her, set in its place in the clothes-room, and her accumulations begin. Clothes, bedding, and silver ornaments seem to be the only things for which the Norwegian peasant spends his money. In neither of these houses was there an article of superfluous furniture, not even of ordinary comfort. In both were the same bunk beds, built in under the eaves; the same loose, tossed straw, with blankets for covering; and only the coarsest wooden chairs and benches for seats. The young man opened his mother's trunk, and took from one corner a beautiful little silver beaker, with curling, prow-shaped handles. In this the old lady had packed away her silver brooches, buttons, and studs for the summer. Side by side with them, thrown in loosely among her white head-dresses and blouses, were half a dozen small twisted rolls of white bread. Sanna explained this by saying that the Norwegians never have this bread except at their most important festivals; it is considered a great luxury, and these had no doubt been put away as a future treat, as we should put away a bit of wedding-cake to keep. Very irreverently the son tipped out all his mother's ornaments into the bottom of the trunk, and proceeded to fill the little beaker with fiery brandy from a bottle which had been hid in another corner. From lip to lip it was passed, returning to him wellnigh untasted; but he poured the whole down at a draught, smacked his lips, and tossed the cup back into the trunk, dripping with the brandy. Very much that good old Norwegian dame, when she comes down in the autumn, will wonder, I fancy, what has happened to her nicely packed trunk of underclothes, dry bread, and old silver.

There were several storerooms in these farm buildings, and they were well filled with food, grain, flour, dried meats, fish, and towers of fladbröd. Looms with partly finished webs of cloth in them were there set away till winter; baskets full of carved yellow spoons hung on the wall. In one of the rooms, standing on the sill of the open window, were two common black glass bottles, with a few pond-lilies in each,—the only bit of decoration or token of love of the beautiful we had found. Seeing that I looked at the lilies with admiration, the young man took them out, wiped their dripping stems on his coat-sleeve, and presented them to me with a bow that a courtier might have envied. The grace, the courtesy, of the Norwegian peasant's bow is something that must date centuries back. Surely there is nothing in his life and surroundings to-day to create or explain it. It must be a trace of something that Olaf Tryggveson—that "magnificent, far-shining man"—scattered abroad in his kingdom eight hundred years ago, with his "bright, airy, wise way" of speaking and behaving to women and men.

One of the buildings on this farm was known, the young man said, to be at least two hundred years old. The logs are moss-grown and black, but it is good for hundreds of years yet. The first story is used now for a storeroom. From this a ladder led up to a half-chamber overhead, the front railed by a low railing; here, in this strange sort of balcony bedroom, had slept the children of the family, all the time under observation of their elders below.

Thrust in among the rafters, dark, rusty, bent, was an ancient sword. Our guide took it out and handed it to us, with a look of awe on his face. No one knew, he said, how long that sword had been on the farm. In the earliest writings by which the estate had been transferred, that sword had been mentioned, and it was a clause in every lease since that it should never be taken away from the place. However many times the farm might change hands, the sword must go with it, for all time. Was there no legend, no tradition, with it? None that his father or his father's father had ever heard; only the mysterious entailed charge, from generation to generation, that the sword must never be removed. The blade was thin and the edge jagged, the handle plain and without ornament; evidently the sword had been for work, and not for show. There was something infinitely solemn in its inalienable estate of safe and reverent keeping at the hands of men all ignorant of its history. It is by no means impossible that it had journeyed in the company of that Sigurd who sailed with his splendid fleet of sixty ships for Palestine, early in the twelfth century. Sigurd Jorsalafarer, or Traveller to Jerusalem, he was called; and no less an authority than Thomas Carlyle vouches for him as having been "a wise, able, and prudent man," reigning in a "solid and successful way." Through the Straits of Gibraltar to Jerusalem, home by way of Constantinople and Russia, "shining with renown," he sailed, and took a hand in any fighting he found going on by the way. Many of his men came from the region of the Sogne Fjord; and the more I thought of it the surer I felt that this old sword had many a time flashed on the deck of his ships.

Our second day opened rainy. The lake was blotted out by mist; on the fence under the willows sat half a dozen men, roosting as unconcernedly as if it were warm sunshine.

"It does wonder me," said Sanna, "that I find here so many men standing idle. When the railroad come, it shall be that the life must be different."

A heroic English party, undeterred by weather, were setting off in carioles and on horseback. Delays after delays occurred to hinder them. At the last moment their angry courier was obliged to go and fetch the washing, which had not arrived. There is a proverb in Norway, "When the Norwegian says 'immediately,' look for him in half an hour."

Finally, at noon, in despair of sunshine, we also set off: rugs, water-proofs; the india-rubber boot of the carriage drawn tight up to the level of our eyes; we set off in pouring sheets of rain for Gudvangen. For the first two hours the sole variation of the monotony of our journey was in emptying the boot of water once every five minutes, just in time to save a freshet in our laps. High mountain peaks, black with forests or icy white with snow, gleamed in and out of the clouds on either hand, as we toiled and splashed along. Occasional lightings up revealed stretches of barren country, here and there a cluster of farm-houses or a lowly church. On the shores of a small lake we passed one of these lonely churches. Only two other buildings were in sight in the vast expanse: one, the wretched little inn where we were to rest our horses for half an hour; the other, the parsonage. This last was a pretty little cottage, picturesquely built of yellow pine, half bowered in vines, looking in that lonely waste as if it had lost itself and strayed away from some civilized spot. The pastor and his sister, who kept house for him, were away; but his servant was so sure that they would like to have us see their home that we allowed her to show it to us. It was a tasteful and cosey little home: parlor, study, and dining-room, all prettily carpeted and furnished; books, flowers, a sewing-machine, and a piano. It did one's heart good to see such an oasis of a home in the wilderness. Drawn up on rests in a shed near the house, was an open boat, much like a wherry. The pastor spent hours every day, the maid said, in rowing on the lake. It was his great pleasure.