Saxe Holm's Stories / First Series

by Helen Hunt Jackson

"It grieves me not to go with you to your door," she said, as she bade me good-bye, "but I shall come and see you to-morrow and bring my husband."

"No, you must not," I replied. "To-morrow you will be wise enough--or, if you are not wise enough, you will be kind enough to me because I ask it--to lie in bed all day, and I shall come very early in the morning to see how you are."

She turned suddenly on the carriage-steps, and, leaning both her hands on my knees, exclaimed, in a voice full of emotion.

"Will you let me kiss you? Not even my mother gave me what you have given. For you have given me back life, when it was too infinitely precious to lose. Surely you will not think me presuming?" and her cheek flushed a little.

"Presuming! my dear child, I loved you the first moment I saw you lying there on the stones; and I am almost old enough to be your mother, too," I replied, and I kissed her sweet face warmly.

This was the beginning of my acquaintance and friendship with Dora Maynard.

At eleven o'clock the next morning I went to see her. I was shown into a room, whose whole air was so unlike that of a Roman apartment, that I could scarcely believe I had not been transported to English or American soil. In spite of its elegance, the room was as home-like and cozy as if it nestled in the Berkshire hills or stood on Worcestershire meadows. The windows were heavily curtained, and the furniture covered with gay chintz of a white ground, with moss-rose buds thickly scattered over it between broad stripes of rose-pink. The same chintz was fluted all around the cornice of the room, making the walls look less high and stately; the doorways, also, were curtained with it. Great wreaths and nodding masses of pampas grass were above the doors; a white heron and a rose-colored spoonbill stood together on a large bracket in one corner, and a huge gray owl was perched on what looked like a simple old apple-tree bough, over an inlaid writing-table which stood at an odd slant near one of the windows. Books were everywhere--in low swinging shelves, suspended by large green cords with heavy tassels; on low bracket shelves, in unexpected places, with deep green fringes or flutings of the chintz; in piles on Moorish stools or old Venice chests. Every corner looked as if somebody made it a special haunt and had just gone out. On a round mosaic table stood an exqusite black-and-gilt Etruscan patera filled with white anemones; on another table near by stood a silver one filled with the same flowers, pink and yellow. Each was circled round the edge with fringing masses of maiden-hair fern. Every lounge and chair had a low, broad foot-stool before it, ruffled with the chintz; and in one corner of the room were a square pink and white and green Moorish rug, with ten or a dozen chintz-covered pillows, piled up in a sort of chair-shaped bed upon it, and a fantastic ebony box standing near, the lid thrown back, and battledoors and shuttlecocks, and many other gay-colored games, tossed in confusion. The walls were literally full of exquisite pictures; no very large or rare ones, all good for every-day living; some fine old etchings, exquisite water-colors, a swarthy Campagna herds-boy with a peacock feather and a scarlet ribbon in his black hat, and for a companion-picture, the herds-boy of the mountains, fair, rosy, standing out on a opaline snow-peak, with a glistening Edelweiss in his hand; opposite these a large picture of Haag's, a camel in the desert, the Arab wife and baby in a fluttering mass of basket and fringe and shawl and scarf, on his back; the Arab father walking a few steps in advance, playing on musical pipes, his tasseled robe blowing back in the wind; on one side of this a Venice front, and on another a crag of Norway pines; here and there, small leaves of photographs from original drawings by the old masters, Leonardo, Raphael, Titian, and Luini; and everywhere, in all possible and impossible places, flowers and vines. I never saw walls so decorated. Yellow wall-flowers waved above the picture of the Norway pines; great scarlet thistles branched out each side of the Venetian palace; cool maiden-hair ferns seemed to be growing all around the glowing crimson and yellow picture of the Arabs in the Desert. Afterward I learned the secret of this beautiful effect; large, flat, wide-mouthed bottles, filled with water, were hung on the backs of the picture frames, and in these the vines and flowers were growing; only a worshipper of flowers would have devised this simple method of at once enshrining them, and adorning the pictures.

In one of the windows stood a superbly-carved gilt table, oblong, and with curiously-twisted legs which bent inward and met a small central shelf half-way between the top and the floor, then spread out again into four strange claw-like vases, which bore each two golden lilies standing upright. On this stood the most singular piece of wood-carving I ever saw. It was of very light wood, almost yellow in tint; it looked like rough vine trellises with vines clambering over them; its base was surrounded by a thick bed of purple anemones; the smaller shelf below was also filled with purple anemones, and each of the golden lilies held all the purple anemones it could--not a shade of any other color but the purple and gold--and rising above them the odd vine trellises in the pale yellow wood. As I stood looking at this in mute wonder and delight, but sorely perplexed to make out the design of the carving, I heard a step behind me. I turned and saw, not my new friend, as I had expected, but her husband. I thought, in that first instant, I had never seen a manlier face and form, and I think so to-day. Robert Maynard was not tall; he was not handsome; but he had a lithe figure, square-shouldered, straight, strong, vitalized to the last fibre with the swift currents of absolutely healthy blood, and the still swifter currents of a passionate and pure manhood. His eyes were blue, his hair and full beard of the bright-brown yellow which we call, rightly or wrongly, Saxon. He came very quickly toward me with both hands outstretched and began to speak. "My dear madam," he said, but his voice broke, and with a sudden, uncontrollable impulse, he turned his back full upon me for a second, and passed his right hand over his eyes. The next instant he recovered himself and went on.

"I do not believe you will wonder that I can't speak, and I do not believe you will ever wonder that I do not thank you--I never shall," and he raised both my hands to his lips.

"Dora is in bed as you bade her to be," he continued. "She is well, but very weak. She wants to see you immediately, and she has forbidden me to come back to her room without you. I think, perhaps," he added hesitatingly, "she is not quite calm enough to talk long. Forgive me for saying it. I know you love her already."