Anita's face clouded. "Iddio mio!" she said, "but the Virgin will keep the dearest Signora Maynardi. Biagio and I have vowed to keep a candle always burning for her in Ara Coeli! The dearest, most beautiful of Signoras;" and Anita walked disconsolately on, down the stairs.
I found Dora kneeling before the "gold table," arranging great masses of maiden-hair fern around the wood carving and in the shelf below. As I saw the rapt and ecstatic expression of her face, I understood why Anita had believed the gold table to be a shrine.
"They do not suit it like the anemones," said she, sadly; "and I can have no more anemones this year."
"So poor Anita told me just now on the stairs," replied I. "She was almost crying, she was so sorry she could not get them for you. But I am sure, dear, the ferns are beautiful on it. I think the pale green looks even better than the purple with the gold and the pale yellow wood."
"I like the purple best," said Dora; "besides, we always had purple at home," and her eyes filled with tears. Then, turning suddenly to me, she said, "Why have you never asked me what this is? I know you must have wondered: it looks so strange--this poor little clumsy bit of American pine, on my gilt table shrined with flowers!"
"Yes, I have wondered, I acknowledge, for I could not make out the design," I replied; "but I thought it might have some story connected with it, which you would tell me if you wished I should know. I did not think it clumsy; I think it is fantastic, and has a certain sort of weird life-likeness about it."
"Do you really think it has any life-like look about it?" and Dora's face flushed with pleasure. "I think so, but I supposed nobody else could see anything in it. No one of my acquaintance has ever alluded to it," continued she, half laughing, half crying, "but I see them trying to scrutinize it slyly when they are not observed. As for poor old Anita, I believe she thinks it is our Fetish. She walks round it on tiptoe with her hands clasped on her apron."
"But now," she continued, "I will show you the same design in something else;" and she led the way through her own bedroom to Robert's, which was beyond. On the threshold she paused, and kissing me, said: "If you can stay with me to-day, I will tell you the whole story, dear; but I want you to look at this chintz first." Then she walked to the window, and drawing out one of the curtains to its full width, held it up for me to see. It was a green and white chintz, evidently of cheap quality. At first I did not distinguish any meaning in the pattern; presently I saw that the figures were all of vines and vine-leaves, linked in a fantastic fashion together, like those in the wood-carving on the gold table.
"Oh, yes," I said, "I see; it is exactly like the carving, only it looks different, being on a flat surface."
Dora did not speak; she was gazing absently at the chintz she held in her hand. Her face looked as if her soul were miles and years away. Presently I saw a tear roll down her cheek. I touched her hand. She started, and smiling sweetly, said: "Oh! forgive me. Don't think I am crying for any sorrow; it is for joy. I am so happy, and my life has been so wonderful. Now would you really have patience to listen to a long story?" she said, beseechingly; "a long story all about me--and--Robert? I have been wanting to tell you ever since I knew you. I think you ought to know all about us."