"The progenitrix of the family arrived in the Sun office many years ago, and installed herself in a comfortable corner, and within a few short months she had noticeably raised the literary tone of the paper, as well as a large and vociferous family of kittens. These kittens were weaned on reports from country correspondents, and the sight of the six children and the mother cat sitting in a semicircle was one which attracted visitors from all parts of the nation. Just before her death—immediately before, in fact—the mother cat developed a literary taste of her own and drank the contents of an ink-bottle. She was buried with literary honors, and one of her progeny was advanced to the duties and honors of office cat. From this time the line came down, each cat taking the 'laurel greener from the brows of him that uttered nothing base,' upon the death of his predecessor. There is but one blot upon the escutcheon of the family, put there by a recent incumbent who developed a mania at once cannibalistic and infanticidal, and set about making a free lunch of her offspring, in direct violation of the Raines law and the maternal instinct. She died of an overdose of chloroform, and her place was taken by one of the rescued kittens.

"It is the son of this kitten who is the present proud incumbent of the office. Grown to cat-hood, he is a creditable specimen of his family, with beryl eyes, beautiful striped fur, showing fine mottlings of mucilage and ink, a graceful and aspiring tail, an appetite for copy unsurpassed in the annals of his race, and a power and perseverance in vocality, chiefly exercised in the small hours of the morning, that, together with the appetite referred to, have earned for him the name of the Mutilator. The picture herewith given was taken when the animal was a year and a half old. Up to the age of one year the Mutilator made its lair in the inside office with the Snake Editor, until a tragic ending came to their friendship. During a fortnight's absence of the office cat upon important business, the Snake Editor cultivated the friendship of three cockroaches, whom he debauched by teaching them to drink beer spilled upon his desk for that purpose. On the night of the cat's return, the three bugs had become disgracefully intoxicated, and were reeling around the desk beating time with their legs to a rollicking catch sung by the Snake Editor. Before the muddled insects could crawl into a crack, the Mutilator was upon them, and had bolted every one. Then with a look of reproach at the Snake Editor, he drew three perpendicular red lines across that gentleman's features with his claws and departed in high scorn, nor could he ever thereafter be lured into the inner office where the serpent-sharp was laying for him with a space measure. Since that time he has lived in the room occupied by the reporters and news editors.

"Many hundreds of stories, some of them slanderous have been told about the various Sun office cats, but we have admitted here none of these false tales. The short sketch given here is beyond suspicion in all its details, as can be vouched for by many men of high position who ought to know better."

[!-- CH4 --]

CHAPTER IV

CONCERNING STILL OTHER PEOPLE'S CATS

The nearest approach to the real French Salon in America is said to be found in Mrs. Louise Chandler Moulton's Boston drawing-room. In former days, at her weekly Fridays, Sir Richard Coeur de Lion was always present, sitting on the square piano amidst a lot of other celebrities. The autographed photographs of Paderewski, John Drew, and distinguished litterateurs, however, used to lose nothing from the proximity of Mrs. Moulton's favorite maltese friend, who was on the most intimate terms with her for twelve years, and hobnobbed familiarly with most of the lions of one sort or another who have visited Boston and who invariably find their way into this room. If there were flowers on the piano, Richard's nose hovered near them in a perfect abandon of delight. Indeed, his fondness for flowers was a source of constant contention between him and his mistress, who feared lest he knock the souvenirs of foreign countries to the floor in his eagerness to climb wherever flowers were put. He was as dainty about his eating as in his taste for the beautiful, scorning beef and mutton as fit only for coarser mortals, and choosing, like any gourmet, to eat only the breast of chicken, or certain portions of fish or lobster. He was not proof against the flavor of liver, at any time; but recognized in it his one weakness,—as the delicate lady may who takes snuff or chews gum on the sly. When Mrs. Moulton first had him, she had also a little dog, and the two, as usual when a kitten is brought up with a dog, became the greatest of friends.

That Richard was a close observer was proved by the way he used to wag his tail, in the same fashion and apparently for the same reasons as the dog. This went on for several years, but when the dog died, the fashion of wagging tails went out, so far as Richard Coeur de Lion was concerned.

He had a fashion of getting up on mantels, the tops of bookcases, or on shelves; and his mistress, fearing demolition of her household Lares and Penates, insisted on his getting down, whereupon Richard would look reproachfully at her, apparently resenting this treatment for days afterward, refusing to come near her and edging off if she tried to make up with him.

When Richard was getting old, a black cat came to Mrs. Moulton, who kept him "for luck," and named him the Black Prince. The older cat was always jealous of the newcomer, and treated him with lofty scorn. When he caught Mrs. Moulton petting the Black Prince, who is a very affectionate fellow Richard fiercely resented it and sometimes refused to have anything to do with her for days afterward, but finally came around and made up in shamefaced fashion.