ART
A CHAPTER OF ART
When a baby is perfectly healthy and has had enough to eat and has slept all it wants, then it hums a little tune to show how happy it is. To grown-ups this humming means nothing. It sounds like “goo-zum, goo-zum, goo-o-o-o-o,” but to the baby it is perfect music. It is his first contribution to art.
As soon as he (or she) gets a little older and is able to sit up, the period of mud-pie making begins. These mud-pies do not interest the outside world. There are too many million babies, making too many million mud-pies at the same time. But to the small infant they represent another expedition into the pleasant realm of art. The baby is now a sculptor.
At the age of three or four, when the hands begin to obey the brain, the child becomes a painter. His fond mother gives him a box of coloured chalks and every loose bit of paper is rapidly covered with strange pothooks and scrawls which represent houses and horses and terrible naval battles.
Soon however this happiness of just “making things” comes to an end. School begins and the greater part of the day is filled up with work. The business of living, or rather the business of “making a living,” becomes the most important event in the life of every boy and girl. There is little time left for “art” between learning the tables of multiplication and the past participles of the irregular French verbs. And unless the desire for making certain things for the mere pleasure of creating them without any hope of a practical return be very strong, the child grows into manhood and forgets that the first five years of his life were mainly devoted to art.
Nations are not different from children. As soon as the cave-man had escaped the threatening dangers of the long and shivering ice-period, and had put his house in order, he began to make certain things which he thought beautiful, although they were of no earthly use to him in his fight with the wild animals of the jungle. He covered the walls of his grotto with pictures of the elephants and the deer which he hunted, and out of a piece of stone, he hacked the rough figures of those women he thought most attractive.
As soon as the Egyptians and the Babylonians and the Persians and all the other people of the east had founded their little countries along the Nile and the Euphrates, they began to build magnificent palaces for their kings, invented bright pieces of jewellery for their women and planted gardens which sang happy songs of colour with their many bright flowers.
Our own ancestors, the wandering nomads from the distant Asiatic prairies, enjoying a free and easy existence as fighters and hunters, composed songs which celebrated the mighty deeds of their great leaders and invented a form of poetry which has survived until our own day. A thousand years later, when they had established themselves on the Greek mainland, and had built their “city-states,” they expressed their joy (and their sorrows) in magnificent temples, in statues, in comedies and in tragedies, and in every conceivable form of art.