Æschylus, the most successful of all “tragedians” who wrote no less than eighty plays during his long life (from 526 to 455) made a bold step forward when he introduced two “actors” instead of one. A generation later Sophocles increased the number of actors to three. When Euripides began to write his terrible tragedies in the middle of the fifth century, B.C., he was allowed as many actors as he liked and when Aristophanes wrote those famous comedies in which he poked fun at everybody and everything, including the Gods of Mount Olympus, the chorus had been reduced to the rôle of mere bystanders who were lined up behind the principal performers and who sang “this is a terrible world” while the hero in the foreground committed a crime against the will of the Gods.
This new form of dramatic entertainment demanded a proper setting, and soon every Greek city owned a theatre, cut out of the rock of a nearby hill. The spectators sat upon wooden benches and faced a wide circle (our present orchestra where you pay three dollars and thirty cents for a seat). Upon this half-circle, which was the stage, the actors and the chorus took their stand. Behind them there was a tent where they made up with large clay masks which hid their faces and which showed the spectators whether the actors were supposed to be happy and smiling or unhappy and weeping. The Greek word for tent is “skene” and that is the reason why we talk of the “scenery” of the stage.
When once the tragedy had become part of Greek life, the people took it very seriously and never went to the theatre to give their minds a vacation. A new play became as important an event as an election and a successful playwright was received with greater honors than those bestowed upon a general who had just returned from a famous victory.
THE PERSIAN WARS
HOW THE GREEKS DEFENDED EUROPE AGAINST ASIATIC INVASION AND DROVE THE PERSIANS BACK ACROSS THE ÆGEAN SEA
The Greeks had learned the art of trading from the Ægeans who had been the pupils of the Phœnicians. They had founded colonies after the Phœnician pattern. They had even improved upon the Phœnician methods by a more general use of money in dealing with foreign customers. In the sixth century before our era they had established themselves firmly along the coast of Asia Minor and they were taking away trade from the Phœnicians at a fast rate. This the Phœnicians of course did not like but they were not strong enough to risk a war with their Greek competitors. They sat and waited nor did they wait in vain.
In a former chapter, I have told you how a humble tribe of Persian shepherds had suddenly gone upon the warpath and had conquered the greater part of western Asia. The Persians were too civilised to plunder their new subjects. They contented themselves with a yearly tribute. When they reached the coast of Asia Minor they insisted that the Greek colonies of Lydia recognize the Persian Kings as their over-Lords and pay them a stipulated tax. The Greek colonies objected. The Persians insisted. Then the Greek colonies appealed to the home-country and the stage was set for a quarrel.
For if the truth be told, the Persian Kings regarded the Greek city-states as very dangerous political institutions and bad examples for all other people who were supposed to be the patient slaves of the mighty Persian Kings.