"I went up to her," he said, "and saw she was smiling.

. . . . .

"What was she smiling at? At life, on account of her child. Under the refuge where she was cowering, facing the setting sun, she was thinking of the growth of her child in the days to come. However terrible they might be, they would be around him, for him, in him. They would be the same thing as her breath, her walk, her look.

"So profound was the smile of this creator who bore her burden and who raised her head and gazed into the sun, without even looking down at the child or listening to its babbling.

"I worked this woman and child up into a poem."

He remained motionless for a moment, then said gently without pausing, in that voice from the Beyond which we assume when we recite, obeying what we say and no longer mastering it:

"The woman from the depths of her rags, a waif, a martyr—smiled. She must have a divine heart to be so tired and yet smile. She loved the sky, the light, which the unformed little being would love some day. She loved the chilly dawn, the sultry noontime, the dreamy evening. The child would grow up, a saviour, to give life to everything again. Starting at the dark bottom he would ascend the ladder and begin life over again, life, the only paradise there is, the bouquet of nature. He would make beauty beautiful. He would make eternity over again with his voice and his song. And clasping the new-born infant close, she looked at all the sunlight she had given the world. Her arms quivered like wings. She dreamed in words of fondling. She fascinated all the passersby that looked at her. And the setting sun bathed her neck and head in a rosy reflection. She was like a great rose that opens its heart to the whole world."

The poet seemed to be searching for something, to be seeing things, and believing infinitely. He was in another world where everything we see is true and everything we say is unforgettable.

Amy was still on her knees with eyes upraised to his. She was all attention, filled with it like a precious vase.

"But her smile," he went on, "was not only in wonder about the future. There was also something tragic in it, which pierced my heart. I understood it perfectly. She adored life, but she detested men and was afraid of them, always on account of the child. She already disputed over him with the living, although he himself was as yet scarcely among the living. She defied them with her smile. She seemed to say to them, 'He will live in spite of you, he will use you, he will subdue you either to dominate you or to be loved by you. He is already braving you with his tiny breath, this little one that I am holding in my maternal grasp.' She was terrible. At first, I had seen her as an angel of goodness. Now, although she had not changed, she was like an angel of mercilessness and vengeance. I saw a sort of hatred for those who would trouble him distort her face, resplendent with superhuman maternity. Her cruel heart was full of one heart only. It foresaw sin and shame. It hated men and settled accounts with them like a destroying angel. She was the mother with fearful nails, standing erect, and laughing with a torn mouth."