Here are several shell-holes where swollen horses are rotting; in others the remains of what were once human beings are scattered, distorted by the monstrous injury of shells.
Here, athwart the track we are following, that we ascend as through an avalanche or inundation of ruin, under the unbroken melancholy of the sky, here is a man stretched out as if he slept, but he has that close flattening against the ground which distinguishes a dead man from a sleeper. He is a dinner-fatigue man, with a chaplet of loaves threaded over a belt, and a bunch of his comrades' water-bottles slung on his shoulder by a skein of straps. It must have been only last night that the fragment of a shell caught him in the back. No doubt we are the first to find him, this unknown soldier secretly dead. Perhaps he will be scattered before others find him, so we look for his identity disc—it is stuck in the clotted blood where his right hand stagnates. I copy down the name that is written in letters of blood.
Poterloo lets me do it by myself—he is like a sleepwalker. He looks, and looks in despair, everywhere. He seeks endlessly among those evanished and eviscerated things; through the void he gazes to the haze of the horizon. Then he sits down on a beam, having first sent flying with a kick a saucepan that lay on it, and I sit by his side. A light drizzle is falling. The fog's moisture is resolving in little drops that cover everything with a slight gloss. He murmurs, "Ah, la, la!"
He wipes his forehead and raises imploring eyes to me. He is trying to make out and take in the destruction of all this corner of the earth, and the mournfulness of it. He stammers disjointed remarks and interjections. He takes off his great helmet and his head is smoking. Then he says to me with difficulty, "Old man, you cannot imagine, you cannot, you cannot—"
He whispers: "The Red Tavern, where that—where that Boche's head is, and litters of beastliness all around, that sort of cesspool—it was on the edge of the road, a brick house and two out-buildings alongside—how many times, old man, on the very spot where we stood, how many times, there, the good woman who joked with me on her doorstep, I've given her good-day as I wiped my mouth and looked towards Souchez that I was going back to! And then, after a few steps, I've turned round to shout some nonsense to her! Oh, you cannot imagine! But that, now, that!" He makes an inclusive gesture to indicate all the emptiness that surrounds him.
"We mustn't stay here too long, old chap. The fog's lifting, you know."
He stands up with an effort—"Allons."
The most serious part is yet to come. His house—
He hesitates, turns towards the east, goes. "It's there—no, I've passed it. It's not there. I don't know where it is—or where it was. Ah, misery, misery!" He wrings his hands in despair and staggers in the middle of the medley of plaster and bricks. Then, bewildered by this encumbered plain of lost landmarks, he looks questioningly about in the air, like a thoughtless child, like a madman. He is looking for the intimacy of the bedrooms scattered in infinite space, for their inner form and their twilight now cast upon the winds!
After several goings and comings, he stops at one spot and draws back a little—"It was there, I'm right. Look—it's that stone there that I knew it by. There was a vent-hole there, you can see the mark of the bar of iron that was over the hole before it disappeared."