"It's true, and true again," said Marthereau.
"Tiens, there's Tirloir! Hey, Tirloir!"
He comes up busily, peering this way and that, on an eager scent. His insignificant head, pale as chlorine, hops centrally about in the cushioning collar of a greatcoat that is much too heavy and big for him. His chin is pointed, and his upper teeth protrude. A wrinkle round his mouth is so deep with dirt that it looks like a muzzle. As usual, he is angry, and as usual, he rages aloud.
"Some one cut my pouch in two last night!"
"It was the relief of the 129th. Where had you put it?"
He indicates a bayonet stuck in the wall of the trench close to the mouth of a funk-hole—"There, hanging on the toothpick there."
"Ass!" comes the chorus. "Within reach of passing soldiers! Not dotty, are you?"
"It's hard lines all the same," wails Tirloir. Then suddenly a fit of rage seizes him, his face crumples, his little fists clench in fury, he tightens them like knots in string and waves them about. "Alors quoi? Ah, if I had hold of the mongrel that did it! Talk about breaking his jaw—I'd stave in his bread-pan, I'd—there was a whole Camembert in there, I'll go and look for it." He massages his stomach with the little sharp taps of a guitar player, and plunges into the gray of the morning, grinning yet dignified, with his awkward outlines of an invalid in a dressing-gown. We hear him grumbling until he disappears.
"Strange man, that," says Pepin; the others chuckle. "He's daft and crazy," declares Marthereau, who is in the habit of fortifying the expression of his thought by using two synonyms at once.