ROCK AT THE SUMMIT OF MOUNT PHRABAT.
TEMPLE ON MOUNT PHRABAT.
We proceeded afterwards to the western side of the mountain, where is the famous temple containing the footprint of Samona-Kodom, the Buddha of Indo-China. I was filled with astonishment and admiration on arriving at this point, and feel utterly incapable of describing the spectacle which met my view. What convulsion of Nature—what force could have upheaved those immense rocks, piled one upon another in such fantastic forms? Beholding such a chaos, I could well understand how the imagination of this simple people, who are ignorant of the true God, should have here discovered signs of the marvellous, and traces of their false divinities. It was as if a second and recent Deluge had just abated; this sight alone was enough to recompense me for all my fatigues.
On the mountain summit, in the crevices of the rocks, in the valleys, in the caverns, all around, could be seen the footprints of animals, those of elephants and tigers being most strongly marked; but I am convinced that many of them were formed by antediluvian and unknown animals. All these creatures, according to the Siamese, formed the cortège of Buddha in his passage over the mountain.
Drawn by M. Catenacci, from a Sketch by M. Mouhot.
RELICS FOUND ON MOUNT PHRABAT.
As for the temple itself, there is nothing remarkable about it; it is like most of the pagodas in Siam—on the one hand unfinished, and on the other in a state of dilapidation; and it is built of brick, although both stone and marble abound at Phrabat. The approach to it is by a flight of large steps, and the walls are covered with little pieces of coloured glass, forming arabesques in great variety, which glitter in the sun with striking effect. The panels and cornices are gilt; but what chiefly attracts attention by the exquisite workmanship are the massive ebony doors, inlaid with mother-of-pearl of different colours, and arranged in beautiful designs. The interior of the temple does not correspond with the outside; the floor is covered with silver matting, and the walls bear traces of gilding, but they are blackened by time and smoke. A catafalque rises in the centre, surrounded with strips of gilded serge, and there is to be seen the famous footprint of Buddha. To this sacred spot the pilgrims bring their offerings, cut paper, cups, dolls, and an immense number of toys, many of them being wrought in gold and silver.
Drawn by M. Catenacci, from a sketch by M. Mouhot.