"Madame," said Rodolphe, "I am known for my constancy. It is such that all my friends are astonished at my fidelity, and have nicknamed me the General Bertrand of Love."
[CHAPTER IX]
THE WHITE VIOLETS
About this time Rodolphe was very much in love with his cousin Angela, who couldn't bear him; and the thermometer was twelve degrees below freezing point.
Mademoiselle Angela was the daughter of Monsieur Monetti, the chimney doctor, of whom we have already had occasion to speak. She was eighteen years old, and had just come from Burgundy, where she lived five years with a relative who was to leave her all her property. This relative was an old lady who had never been young apparently—certainly never handsome, but had always been very ill-natured, although—or perhaps because—very superstitious. Angela, who at her departure was a charming child, and promised to be a charming girl, came back at the end of the five years a pretty enough young lady, but cold, dry, and uninteresting. Her secluded provincial life, and the narrow and bigoted education she had received, had filled her mind with vulgar prejudices, shrunk her imagination, and converted her heart into a sort of organ, limited to fulfilling its function of physical balance wheel. You might say that she had holy water in her veins instead of blood. She received her cousin with an icy reserve; and he lost his time whenever he attempted to touch the chord of her recollections—recollections of the time when they had sketched out that flirtation in the Paul-and-Virginia style which is traditional between cousins of different sexes. Still Rodolphe was very much in love with his cousin Angela, who couldn't bear him; and learning one day that the young lady was going shortly to the wedding ball of one of her friends, he made bold to promise Angela a bouquet of violets for the ball. And after asking permission of her father, Angela accepted her cousin's gallant offer—always on condition that the violets should be white.
Overjoyed at his cousin's amiability, Rodolphe danced and sang his way back to Mount St. Bernard, as he called his lodging—why will be seen presently. As he passed by a florist's in crossing the Palais Royal, he saw some white violets in the showcase, and was curious enough to ask their price. A presentable bouquet could not be had for less than ten francs; there were some that cost more.
"The deuce!" exclaimed Rodolphe, "ten francs! and only eight days to find this fortune! It will be a hard pull, but never mind, my cousin shall have her flowers."
This happened in the time of Rodolphe's literary genesis, as the transcendentalists would say. His only income at that period was an allowance of fifteen francs a month, made him by a friend, who, after living a long while in Paris as a poet, had, by the help of influential acquaintances, gained the mastership of a provincial school. Rodolphe, who was the child of prodigality, always spent his allowance in four days; and, not choosing to abandon his holy but not very profitable profession of elegiac poet, lived for the rest of the month on the rare droppings from the basket of Providence. This long Lent had no terrors for him; he passed through it gaily, thanks to his stoical temperament and to the imaginary treasures which he expended every day while waiting for the first of the month, that Easter which terminated his fast. He lived at this time at the very top of one of the loftiest houses in Paris. His room was shaped like a belvidere, and was a delicious habitation in summer, but from October to April a perfect little Kamschatka. The four cardinal winds which penetrated by the four windows,—there was one on each of the four sides—made fearful music in it throughout the cold seasons. Then in irony as it were, there was a huge fireplace, the immense chimney of which seemed a gate of honor reserved for Boreas and his retinue. On the first attack of cold, Rodolphe had recourse to an original system of warming; he cut up successively what little furniture he had, and at the end of a week his stock was considerably abridged; in fact, he had only a bed and two chairs left; it should be remarked that these items were insured against fire by their nature, being of iron. This manner of heating himself he called moving up the chimney.
It was January, and the thermometer, which indicated twelve degrees below freezing point on the Spectacle Quay, would have stood two or three lower if moved to the belvidere, which Rodolphe called indifferently Mount St. Bernard, Spitzenberg, and Siberia.