"Then," said Schaunard, "you will not be offended with me when you know the source of that Pactolus, the overflowing of which I am awaiting."
The following is the history of Schaunard's two hundred francs:—
About a fortnight before he had gone into the shop of a music publisher who had promised to procure him amongst his customers' pupils for pianoforte lessons or pianofortes to tune.
"By Jove!" said the publisher, on seeing him enter the shop, "you are just in time. A gentleman has been here who wants a pianist; he is an Englishman, and will probably pay well. Are you really a good one?"
Schaunard reflected that a modest air might injure him in the publisher's estimation. Indeed, a modest musician, and especially a modest pianist, is a rare creation. Accordingly, he replied boldly:
"I am a first rate one; if I only had a lung gone, long hair and a black coat, I should be famous as the sun in the heavens; and instead of asking me eight hundred francs to engrave my composition 'The Death of the Damsel,' you would come on your knees to offer me three thousand for it on a silver plate."
The person whose address Schaunard took was an Englishman, named Birne. The musician was first received by a servant in blue, who handed him over to a servant in green, who passed him on to a servant in black, who introduced him into a drawing room, where he found himself face to face with a Briton coiled up in an attitude which made him resemble Hamlet mediating on human nothingness. Schaunard was about to explain the reason of his presence, when a sudden volley of shrill cries cut short his speech. These horrid and ear piercing sounds proceeded from a parrot hung out on the balcony of the story below.
"Oh! That beast, that beast!" exclaimed the Englishman, with a bound on his arm chair, "it will kill me."
Thereupon the bird began to repeat its vocabulary, much more extensive than that of ordinary Pollies; and Schaunard stood stupefied when he heard the animal, prompted by a female voice, reciting the speech of Theramenes with all the professional intonations.
This parrot was the favorite of an actress who was then a great favorite herself, and very much the rage—in her own boudoir. She was one of those women who, no one knows why, was quoted at fancy prices on the 'Change of dissipation, and whose names are inscribed on the bills of fare of young noblemen's suppers, where they form the living dessert. It gives a Christian standing now-a-days to be seen with one of these Pagans, who often have nothing of antiquity about them except their age. When they are handsome, there is no such great harm after all; the worst one risks is to sleep on straw in return for making them sleep on rosewood. But when their beauty is bought by the ounce at the perfumer's, and will not stand three drops of water on a rag; then their wit consists in a couplet of a farce, and their talent lies in the hand of the claqueur, it is hard indeed to understand how respectable men with good names, ordinary sense, and decent coats, can let themselves be carried away by a common place passion for these most mercenary creatures.