According to ancient fable, Daphne was the daughter of the river Peneus. Apollo fell in love with her, but she, preferring virtue to the love of the most eloquent of the gods, fled, in order to avoid the seducing magic of his words. Apollo pursued, and was on the point of overtaking her, when the nymph invoked her father, and was changed into a Laurel. The god, finding that he clasped an insensible tree in his arms, kissed its bright leaves. “Since thou canst not be my spouse,” said he, “thou shalt, at least, be my tree.” Thence-forward the Laurel was sacred to Apollo.

Ambition! ambition! I’ve laughed to scorn
Thy robe and thy gleaming sword;
I would follow sooner a woman’s eye,
Or the spell of a gentle word.
But come with the glory of human mind,
And the light of the scholar’s brow,
And my heart shall be taught forgetfulness,
And alone at thy altar bow.

Willis.

Give me the trumpet tone of fame,
The victor’s wreath, the hero’s name;
Though bites the steel and clanks the chain,
I would a warrior’s glory gain,
A nation’s pet and idol be,
With slaves to crouch and bend the knee.

W. H. C.

What is glory? What is fame?
The echo of a long-lost name;
A breath, an idle hour’s brief talk;
The shadow of an arrant naught;
A flower that blossoms for a day,
Dying next morrow;
A stream that hurries on its way,
Singing of sorrow.

Motherwell.

In poet’s lore, and sentimental story,
It seems as ’twere this life’s supremest aim
For heroes to achieve what men call glory,
And die intoxicate with earth’s acclaim.
Ah me! how little care the dead for breath
Of vain applause that saved them not from death.

MacKellar.

To die, and leave some worthy work to earth,
Is but a fine transition. ’Tis to leave
A talisman to call the spirit back,
Reft of its ground-born tenement.