"For if he could do it, 'twould plainly appear He understood more than any man there, And did merit the bayes above all the rest; But the mounsieur was modest, and silence confest."[80]

There was another slight annoyance connected with the play which was, perhaps, even less felt than Suckling's wit, for what did it matter to Henrietta, to Montagu, or to any of the brilliant company, if a cross-grained puritanical lawyer such as William Prynne chose to insult the Queen by base and indiscriminate charges against actresses, thereby bringing upon himself the just punishment of the loss of his ears?

All disagreeable matters were, indeed, shut out from the brilliant drawing-rooms of Henrietta Maria, where the hostess set an example of free amiability at which strict persons looked a little askance. Those were most welcome who could most contribute by beauty, wit, or conversation to the entertainment of all. Lord Holland,[81] the most elegant dandy of the day, was often to be seen there chatting with the Queen about France or Madame de Chevreuse, to whom he was known to be devoted. Walter Montagu's ready wit and charming conversation always availed to win him a few smiles from his royal hostess. Henry Percy was welcomed as much, perhaps, for the sake of his sister, Lady Carlisle, as for any shining qualities of his own. Above all, Henry Jermyn, the Queen's greatest friend—and she was a woman of many men friends—was constantly to be seen at her side, building up a friendship which only death was to end.

It is hard to account for Henrietta's affection for this man—an affection so great that from that day to this scandal has been busy with their names. Henry Jermyn was not particularly well born, and he was neither radiantly handsome like Holland, nor clever and witty like Montagu. His abilities, which were severely tested in the course of his life, did not rise above mediocrity; his religion, such of it as existed, was of a very nebulous character, and his morals were of a distinctly commonplace type; indeed, one of his early achievements at Court was to run off with a maid of honour. To set against all this we only know that he was a man of very soft and gentle manners, such as made him a fitting agent in delicate negotiations, and that when the day of trouble came he showed considerable fidelity to the interests of a losing cause. That Henrietta should have lavished on such a man an affection and a confidence which some of her best friends, both now and later, thought exaggerated, is surprising; but she was never a good judge of character, and it must be remembered that personal charm is one of the most evanescent of qualities which cannot be bottled for the use of the historian.

That in these happy days Henrietta was one of the brightest ornaments of her own Court cannot be doubted. Old men, who remembered the later years of Elizabeth, must have contrasted the forced compliments offered to her faded charms with the free devotion laid at the feet of this young and beautiful woman,

"In whom th' extremes of power and beauty move, The Queen of Britain and the Queen of Love."[82]

Her beauty soon reached its prime and soon faded a little, so that in later days she used to say with a touch of pique that no woman was handsome after two-and-twenty. Though she was not tall, her figure was good, and her sweet face with its animated expression attracted all beholders. Fastidious critics did, indeed, find fault with her mouth, which was rather large, but they had nothing but praise for her well-formed nose, her pretty complexion, and, above all, for her sparkling black eyes which, as in the days of her girlhood, were her most striking beauty; so lovely were they that the Puritan Sir Simonds d'Ewes was fain to lament that their owner should be in the thraldom of Popery.[83]

With such beauty to adorn, no woman, much less a Frenchwoman and a queen, could be indifferent to dress. Henrietta took a great interest in the subject, and loved to deck herself in the beautiful robes which were then in fashion and which we know so well from the portraits of Van Dyck. The trousseau which she had brought with her to England bore witness to her brother's generosity, and was so ample and magnificent[84] that it may well have lasted her life, as trousseaux did in those days. Four dozen embroidered nightgowns with a dozen night-caps to match, four dozen chemises with another "fort belle, toute pointe coupe" thrown in for special occasions, and five dozen handkerchiefs seem an ample allowance of linen even for a queen, while the five petticoats which were provided made up in splendour what they lacked in number. The dozen pairs of English silk stockings, to which was added a dainty pair of red velvet boots lined with fur, were a luxury to which few could have aspired. But it was in the matter of gowns that Henrietta was most fortunate. No less than thirteen did she possess, apart from her "royal robe," and all were very magnificent, four being of gold and silver cloth on a satin foundation, whether of black, crimson, green, or "jus de lin," those of the two last-named colours being provided with a court train and long hanging sleeves. As for the robe of state, which perhaps is the same as that which had already done duty at the wedding, it surpassed the rest in splendour, being of red velvet covered with fleur-de-lis. A heavy mantle of the same material and colour lined up with ermine was evidently intended to be worn with it on ceremonial occasions.

Such toilettes would have been incomplete without magnificent jewels, of which the taste of the time allowed great display. With Mary de' Medici they were a passion, and her daughter, though she had no avarice in her nature and was to show herself capable of sacrificing jewels or any other material good for those she loved, yet was far from indifferent to the sparkle and colour of these beautiful ornaments. Many and valuable were the jewels which on her departure from France were handed over to the care of her dame d'atours, who must have found them an anxious charge. Fillets of pearls, chains of precious stones, diamond ear-rings, a magnificent diamond ring, all these were provided for the young Queen, besides such fine jewels as a cross of diamonds and pearls, an anchor studded with four diamonds, and a "bouquet" of five petals made of diamonds, together with a quantity of lesser trinkets, including several dozen diamond buttons to be used as trimmings for dresses. It may be safely conjectured that the Queen found plenty of use for a "grand mirror, silver-backed," which she brought over with her from Paris, and it is not surprising to learn that Father Bérulle thought her rather too fond of dress.