LIST OF ILLUSTRATIONS
| Henrietta Maria From the painting by Van Dyck at Windsor (From a photo by F. Hanfstaengl) | [Frontispiece.] |
| Henry IV From an engraving after the picture by Francis Pourbus | FACING PAGE [18] |
| Cardinal Pierre De Bérulle From an engraving | [32] |
| Old Somerset House From an engraving after an ancient painting in Dulwich College | [68] |
| Charles I and Henrietta Maria From the painting by Van Dyck in the Gallerìa Pitti, Florence (From a photo by G. Brogi) | [90] |
| The Duchess of Chevreuse After the picture by Moreelse, once in the possession of Charles I | [146] |
| Cardinal De Richelieu From a portrait by Phillippe de Champaigne (From a photo by Neurdein) | [168] |
| The Queen's Departure from Holland From an engraving | [200] |
| Sir Kenelm Digby From an engraving after the painting by Van Dyck | [232] |
| Henry Jermyn, Earl of St. Albans From an engraving | [260] |
| Henrietta Maria From an engraving | [278] |
| The Rue St. Antoine, Paris (Showing the Chapel of The Visitandines) From an engraving by Ivan Merlen | [304] |
INTRODUCTION
The woman to whose life and environment the following pages are dedicated was called upon to play her part in one of the most difficult and perplexing periods of our history: she lived just on the edge of the modern world, when the Middle Ages, with their splendid simplicity of all-embracing ideals, had passed away, and when even the ideals of nationality and religious freedom which the Renaissance and the Reformation had brought were becoming modified by the stirring of a new spirit of liberty. The two countries which Henrietta Maria knew were throughout her lifetime making their future destiny: the France which cherished her youth and sheltered her age was becoming the greedy France of Louis XIV, with its splendid Court, its attempts at territorial growth, its downtrodden, suffering people; the England of her happy married life was growing in political self-consciousness and in a stern and repellent godliness which was to mould the character of the nation, and to educate it to become in the next century the builder-up of the greatest empire which the world has ever seen.
Henrietta's life touches both England and France: by race, by education she was a Frenchwoman; by marriage she was an Englishwoman, and it is on English history that she has left the impress of her vivid personality; but the France which she never forgot coloured her thoughts throughout, and taught her in all probability those maxims of statecraft which she attempted to apply when the troubles of her life came upon her.
She was the daughter of Henry IV, the great restorer of the French monarchy, the champion of an unified France, embracing in wide toleration Catholic and Protestant alike: her youth witnessed the beginning of Richelieu's continuance of her father's work; under the auspices of the great Cardinal she was married, and though later her regard for him turned to hatred, yet the impress which his genius had left upon her mind was not thereby destroyed.
But her marriage transported her to a very different scene. England, under the iron heel of the Tudor despotism, had been worn out by no wasting civil wars; even the Reformation had brought little disturbance, for Henry VIII, by his amazing force of character, had been able to carry through a religious revolution almost without the people being aware of it; but the long peace was teaching men to forget the horrors of war and division. By the time the crown of the great Elizabeth passed to her Scotch cousin, Englishmen had ceased to look to the monarchy as the centre of unity. There was no need of a Henry of Navarre to bind up the wounds of the country. The old factious nobility had for the most part been slain in the War of the Roses, and the peaceful generations which followed had allowed of the growth of a powerful upper and middle class, which, originally fostered by the Crown as a counterpoise to the decayed feudal nobility, was now aspiring to a large share in the ruling of the people.