Ibsen had grown up in a school which cultivated the romantic, piquant, picturesque in style; which ran riot in wit, in vivacious and brilliant imagery, in resonant rhythms and telling double rhymes. It must be owned that this was not the happiest school for a dramatist, nor can Love's Comedy be regarded, in the matter of style, as other than a risky experiment which nothing but the sheer dramatic force of an Ibsen could have carried through. As it is, there are palpable fluctuations, discrepancies of manner; the realism of treatment often provokes a realism of style out of keeping with the lyric afflatus of the verse; and we pass with little warning from the barest colloquial prose to the strains of high-wrought poetic fancy. Nevertheless, the style, with all its inequalities, becomes in Ibsen's hands a singularly plastic medium of dramatic expression. The marble is too richly veined for ideal sculpture, but it takes the print of life. The wit, exuberant as it is, does not coruscate indiscriminately upon all lips; and it has many shades and varieties—caustic, ironical, imaginative, playful, passionate—which take their temper from the speaker's mood.
The present version of the play retains the metres of the original, and follows it in general line for line. For a long passage, occupying substantially the first twenty pages, the translator is indebted to the editor of the present work; and two other passages— Falk's tirades on pp.58 and 100—result from a fusion of versions made independently by us both. C. H. H.
*Copyright, 1907, by Charles Scribner's Sons.
LOVE'S COMEDY
PERSONS OF THE COMEDY
MRS. HALM, widow of a government official.
SVANHILD AND ANNA, her daughters.
FALK, a young author, and LIND, a divinity student, her boarders.
GULDSTAD, a wholesale merchant.
STIVER, a law-clerk.
MISS JAY, his fiancee.
STRAWMAN, a country clergyman.
MRS. STRAWMAN, his wife.
STUDENTS, GUESTS, MARRIED AND PLIGHTED PAIRS.
THE STRAWMANS' EIGHT LITTLE GIRLS.
FOUR AUNTS, A PORTER, DOMESTIC SERVANTS.