1910
First printed (Collected Edition) 1908
Second Impression 1910
Copyright 1908 by William Heinemann
CONTENTS
| PAGE | |
| General Preface | [vii] |
| Introduction to “Lady Inger of Östråt” | [xvii] |
| Introduction to “The Feast at Solhoug” | [xxxiii] |
| Introduction to “Love’s Comedy” | [xxxvii] |
| “Lady Inger of Östråt” | [1] |
| Translated by Charles Archer | |
| “The Feast at Solhoug” | [181] |
| Translated by | |
| William Archer and Mary Morison | |
| “Love’s Comedy” | [285] |
| Translated by C. H. Herford | |
GENERAL PREFACE
The eleven volumes of this edition contain all, save one, of the dramas which Henrik Ibsen himself admitted to the canon of his works. The one exception is his earliest, and very immature, tragedy, Catilina, first published in 1850, and republished in 1875. This play is interesting in the light reflected from the poet’s later achievements, but has little or no inherent value. A great part of its interest lies in the very crudities of its style, which it would be a thankless task to reproduce in translation. Moreover, the poet impaired even its biographical value by largely rewriting it before its republication. He did not make it, or attempt to make it, a better play, but he in some measure corrected its juvenility of expression. Which version, then, should a translator choose? To go back to the original would seem a deliberate disregard of the poet’s wishes; while, on the other hand, the retouched version is clearly of far inferior interest. It seemed advisable, therefore, to leave the play alone, so far as this edition was concerned. Still more clearly did it appear unnecessary to include The Warrior’s Barrow and Olaf Liliekrans, two early plays which were never admitted to any edition prepared by the poet himself. They were included in a Supplementary Volume of the Norwegian collected edition, issued in 1902, when Ibsen’s life-work was over. They have even less intrinsic value than Catilina, and ought certainly to be kept apart from the works by which he desired to be remembered. A fourth youthful production, St. John’s Night, remains to this day in manuscript. Not even German piety has dragged it to light.
With two exceptions, the plays appear in their chronological order. The exceptions are Love’s Comedy, which ought by rights to come between The Vikings and The Pretenders, and Emperor and Galilean, which ought to follow The League of Youth instead of preceding it. The reasons of convenience which prompted these departures from the exact order are pretty obvious. It seemed highly desirable to bring the two Saga Plays, if I may so call them, into one volume; while as for Emperor and Galilean, it could not have been placed between The League of Youth and Pillars of Society save by separating its two parts, and assigning Caesar’s Apostasy to Volume V., The Emperor Julian to Volume VI.
For the translations of all the plays in this edition, except Love’s Comedy and Brand, I am ultimately responsible, in the sense that I have exercised an unrestricted right of revision. This means, of course, that, in plays originally translated by others, the merits of the English version belong for the most part to the original translator, while the faults may have been introduced, and must have been sanctioned, by me. The revision, whether fortunate or otherwise, has in all cases been very thorough.