[5] "Masson's Life of Milton," Vol. VI. P. 789
[6] "Essay on Pope," Vol. I. pp. 36-38 (5th edition). In the dedication to Young, Warton says: "The Epistles (Pope's) on the Characters of Men and Women, and your sprightly Satires, my good friend, are more frequently perused and quoted than 'L'Allegro' and 'Il Penseroso' of Milton."
[7] The Rev. Francis Peck, in his "New Memoirs of the Life and Poetical Works of Mr. John Milton," in 1740, says that these two poems are justly admired by foreigners as well as Englishmen, and have therefore been translated into all the modern languages. This volume contains, among other things, "An Examination of Milton's Style"; "Explanatory and Critical Notes on Divers Passages of Milton and Shakspere"; "The Resurrection," a blank verse imitation of "Lycidas," "Comus," "L'Allegro" and "Il Penserosa," and the "Nativity Ode." Peck defends Milton's rhymed poems against Dryden's strictures. "He was both a perfect master of rime and could also express something by it which nobody else ever thought of." He compares the verse paragraphs of "Lycidas" to musical bars and pronounces its system of "dispersed rimes" admirable and unique.
[8] "Life of Milton."
[9] "Il Pacifico: Works of William Mason," London, 1811, Vol. I. p. 166.
[10] "Odes on Several Descriptive and Allegoric Subjects."
[11] "To Fancy."
[12] Cf. Gray's "Elegy," first printed in 1751:
"Save that, from yonder ivy-mantled tower,
The moping owl does to the moon complain
Of such as, wandering near her secret bower,
Molest her ancient, solitary reign."
[13] "On the Approach of Summer." The "wattled cotes," "sweet-briar hedges," "woodnotes wild," "tanned haycock in the mead," and "valleys where mild whispers use," are transferred bodily into this ode from "L'Allegro."