James Whitcomb Riley's Stories of the
Humorist, Edgar Wilson Nye
(Bill Nye)
by
Russel M. Seeds
JAMES WHITCOMB RILEY'S STORIES OF THE HUMORIST, EDGAR WILSON NYE (BILL NYE)
(Russel M. Seeds' Interview with James Whitcomb Riley in the Indianapolis News.)
One morning James Whitcomb Riley dug up from the pile of recent books Bill Nye's post-humorous work, "A Guest at the Ludlow and Other Stories." It was not the first time he had seen it. Indeed; he has given more care and attention to the bringing out of this last work of his dead friend than he usually does to the mechanical and business details of his own books, and he had read and reread everything in it before it was given to the public. Yet he spent nearly an hour in loving examination of the volume, reading again with thorough enjoyment a number of the sketches.
The friendship that existed between the poet and the gentle humorist was one of those remarkable bonds of sympathy that few men are fortunate enough to find in life, and those who do seldom find it more than once. The same keen sense of the ridiculous, the same shyness of humor in conversation, the same gentleness of spirit and the same tender anxiety to lighten each other's cares, welded this bond of sympathy that lasted to the death of the one and will remain through life a happy memory to the other.
"These stories are more like him than any he ever published while alive," said Mr. Riley, sauntering over to the desk of the literary editor and exhibiting the volume. "They breathe the spirit of Nye in almost every line. Just listen to this." And in his inimitable way he read an extract from the volume.
"The quaintness and whimsicality of Mr. Nye's humor," said Mr. Riley, as he closed the little volume gently and held it in his lap, "was the notable thing about him. It was unaccountable upon any particular theory. It just seemed natural for his mind to work at that gait. He recognized the matter-of-fact view others took of the general propositions of life, and sympathized with it, but he did so with a native tendency to surprise and astound that ordinary state of mind and vision. He could say a ridiculous thing or perpetuate a ridiculous act with a face like a Sphinx, knowing full well that those who saw or heard would look to his face for some confirmation of their suspicion that it was time to laugh. They had to make up their minds about it unaided by him, however, for they never found any trace of levity in his countenance. As he would say, he did his laughing 'elsewhere.'
"One day in midwinter the train stopped at a way station in the West, and he had five minutes to wait. Mr. Nye's roving eye had discovered that the plush-leather pillows of the sofa in the smoking compartment of the car we were riding in were unattached. Without a word he picked up the leather cylinders and placed one under each arm, with the tassels to the front. He was an invalid in looks as well as in strength, and when he appeared upon the platform thus equipped the astounded natives watched him with silent, sympathetic curiosity as he strode up and down, apparently seizing the opportunity for a little much-needed exercise. The rest of us had to hide to keep from exploding, but he was utterly oblivious to the stares and comments until he returned to the car. No explanation was vouchsafed, and the primitive inhabitants of that town are probably still wondering what horrible malady compelled that invalid to wear those outlandish cushions.